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Eugen Ionescu/Eugène Ionesco - Life and Works
Našincová, Klára ; Horáková, Jarmila (advisor) ; Vajdová, Libuša (referee)
The topic of this diploma thesis is to prove the author's deep roots in the Romanian literary tradition (Urmuz, I. L.Caragiale), to try to prove that the poetics of his famous plays is actually contained in his work from the 30's and echoes of his personal and artistic experience from Romania can be also found in his French mature creative period. Therefore, Ionesco's writings will be compiled for the first time in our country in its wholeness since Czech and Occidental interpreters and comentators have mostly ignored the author's Romanian period of creation. Key Words Eugen Ionescu, Eugène Ionesco, Romanian literature 20th century, French literature 20th century, The Theatre of the Absurd, Romanian literaly exile
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Eugen Ionescu/Eugène Ionesco - Life and Works
Našincová, Klára ; Horáková, Jarmila (advisor) ; Vajdová, Libuša (referee)
The topic of this diploma thesis is to prove the author's deep roots in the Romanian literary tradition (Urmuz, I. L.Caragiale), to try to prove that the poetics of his famous plays is actually contained in his work from the 30's and echoes of his personal and artistic experience from Romania can be also found in his French mature creative period. Therefore, Ionesco's writings will be compiled for the first time in our country in its wholeness since Czech and Occidental interpreters and comentators have mostly ignored the author's Romanian period of creation. Key Words Eugen Ionescu, Eugène Ionesco, Romanian literature 20th century, French literature 20th century, The Theatre of the Absurd, Romanian literaly exile
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Mircea Eliade as Dramatic Author
Našincová, Klára ; Valentová, Libuše (advisor) ; Vajdová, Libuša (referee)
This bachelor thesis defines writer Mircea Eliade as a dramatic author, including reception of his work by contemporary literary recenzents in confrontation to his own point of view. It will also explain the backround of creating the playworks. We deside if there are any relations between Eliade's diaries, novels and dramas. We will compare similar subject: the drama Iphigenia by older authors (Euripides, Jean Rotrou, Jean Racine and Johann Wolfgang Goethe) and how much are projected old Romanian folk ballads Miorița (The Little Ewe) and Meșterul Manole (The Master Builder Manole). In the rest of the play works we decide how much is involved Eliade as a religionist especially his theory of "teror of the history" (in partial drama 1241), theory of the "sacral and profane" in drama Oameni și pietre (People and Stones) and the response to the myth around famous sculptor Constantin Brâncuși in the play Coloana fără sfârșit (The Infinite Column). Most of the used texts are available under the lines or in the attachment. Unless it isn't written differently, the translations I've made myself and it was a part of the technical work.
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