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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
DRAMATURG AS A CO-CREATOR OF THE PRODUCTION
 Machačíková, Markéta ; Kudláčková, Jana (advisor) ; Sílová, Zuzana (referee)
This work is focused mainly on the position of dramaturg in the staging process of a play, his/her creative potential and influence to the result of the production. In the introductory chapter the author suggests a historical and theoretical background of dramaturgy and describes different dramaturgical functions that a dramaturg can possibly perform during the staging process. Also she describes basic principles of a dramaturgical method called ?structural dramaturgy?. The second chapter concentrates on the school theatre DISK, finding scripts for the class repertory and decisions that were made. The practical preparation of the script and the creation of the ?dramaturgical-directional conception? on examples of three different productions are discussed in the third chapter. Based on her work with three different directors of her class, the author offers a description of their work during the rehearsals with actors and tries to point out to their different directing style and approach in the fourth chapter. The fith chapter is focused on the result of the productions and performances and its audience and critical reception. The last chapter is dedicated to projects in progress that the author is involved in as a translator and a dramaturg
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Dramatist Jean Genet
 Machačíková, Markéta ; Jobertová, Daniela (advisor) ; Sílová, Zuzana (referee)
This work is focused mainly on Jean Genet´s dramatic works and their basic principles and characteristic features. In the introductory chapter Markéta Machačíková describes some choices the performers had to make when they decided to rehearse Genet´s one-act play The Maids as their bachelor theatre performance. The second chapter concentrates on Jean Genet´s life that vastly influenced his works and on his permanent endeavour for forming his own image. Genet´s conception of theatre, his dramatic works and his place among other playwrights of the theatre of the absurd are discussed in the third chapter. Based on her work on The Maids as translator and as dramaturgist, the author of this work tries to analyse the play and its possibilities of interpretation in the fourth chapter. The last chapter is dedicated to Genet´s position and to the potentialities of his plays within the contemporary Czech theatre.
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