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Corporate Social Responsibility in Engineering Company
Mašková, Barbora ; Žižlavská, Jana (referee) ; Putnová, Anna (advisor)
This diploma thesis is focused on corporate social responsibility. It analyses current situation in area of CSR incompanies situated in Czech Technology Park Brno. Further it analyses attitude to this topic from point of view of the czech company TOS – Kuřim OS, a.s. specialized in civil engineering. It includes suggestions how to strenghten corporate environment and reliability as well as the image of the company.
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Flexible forms of work performance
Mašková, Barbora ; Hůrka, Petr (advisor) ; Tomšej, Jakub (referee)
1 Flexible forms of work performance Abstract This diploma thesis concerns the topic of flexible forms of work performance, which is very relevant in today's era of rapid technological progress and changing labour market. Its aim was to describe those institutes of flexible work performance that are regulated by the Labour Code, as well as to consider each institute's advantages and disadvantages and to offer a view on the possible development of labour law. The considerations de lege ferenda are based on the identified practical shortcomings of the current legislation and the direction of the European Union, which to some extent determines the image of the domestic legal order. Part of the thesis is devoted to a brief introduction of several basic concepts essential for understanding further interpretation of flexible forms of employment. Furthermore the text focuses on the activities of the European Union and especially those of the Court of Justice. In particular it describes its fundamental doctrines concerning the direct effect of directives. In this context, the thesis presents two relatively new directives, which should have already been implemented into our legal system. The outcomes of this thesis are based mainly on the legal provisions and opinions contained in the literature accompanied by the...
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Proceedings for the granting of international protection
Mašková, Barbora ; Vopálka, Vladimír (advisor) ; Prášková, Helena (referee)
The thesis deals with procedure of asylum and additional protection granting in the Czech Republic. The thesis focuses on characteristic features of the process; primarily the proceeding the application of protection and asylum granting by official authorities. To a certain extent, the thesis copes with substantive law; it defines terms of refugee and asylum law. It enumerates and characterizes the mentioned terms in connection with the process of the asylum and protection granting in the Czech Republic. Impact of the European Union law on the Czech internal law is also discussed.
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Cross-gender casting of tragedies by William Shakespeare
Mašková, Barbora ; Nováková, Soňa (advisor) ; Hančil, Jan (referee)
Cross-gender casting (i.e. the casting of female performers for male parts and vice versa) of plays by William Shakespeare is not a scarce phenomenon and is getting more and more popular in the recent years. In spite of the frequent claim of the theatre-makers and critics that it is in fact a gender blind casting, where the gender of the performer does not matter, the thesis attempts to prove that, in fact, it is not the case. This is exemplified on three most frequently staged and also most commonly cross-gender cast plays: Hamlet, King Lear and Romeo and Juliet. Via these examples the thesis shows the variability of approaches to cross-gender casting and the differences in realization. In the first chapter, the key terminology is defined, in order to avoid confusion, discussing the differences between cross-dressing, travesty and cross-gender casting. That is followed by subchapters in which the basic frame of thought is suggested, building on Judith Butler's deconstruction of gender and the concept of gender performativity. The last subchapter of this section deals with the history of cross-gender casting, including the Elizabethan all-male staging tradition. The next three chapters are then devoted to each of the plays, analyzing the possible interpretive keys and motivations for a cross-gender cast...
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Shakespeare's Drama and Homosexuality
Mašková, Barbora ; Znojemská, Helena (advisor) ; Nováková, Soňa (referee)
Slowly developing since the 1980's, queer theory became a very important sphere of gender studies of the end of the 20th century and affected not only the very perception of gender categories, but also intepretations of these in texts. The thesis concentrates on queering of the dramatic works of William Shakespeare, describing relations which can be broadly characterized as homosexual - romantic or sexual attraction between members of the same sex, including homoerotic or homosocial aspect of these relationships. After establishing the textual grounds for these readings the text goes on to describe various stagings in theatre, television and film of Anglophone and Czech origin. In order to achieve representative illustration of the problem the established division of Shakespeare's drama is maintained, dividing the plays into three categories - comedies, tragedies and historical plays. One play of each of these categories is then discussed further. These are The Merchant of Venice for comedies, Othello for tragedies, and Richard II as a representative of historical plays. In the Merchant of Venice the discussed relationship is the one of Antonio and Bassanio, examining the possible motivation for Antonio's incredible generosity towards his young friend. The most famous homosexual interpretation of the...
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From Word to Image: The Issue of Language in a Play in which Language Is Thematized
Mašková, Barbora ; HANČIL, Jan (advisor) ; KORČÁK, Jakub (referee)
The following BA thesis’ primary concern is the process of creating a production of David Harrower’s play Knives in Hens, a play in which language seems to become an active agent, who controls and affects the minds and deeds of the protagonists to a high extent.
After a brief overview of theoretical thought from the school of structuralism regarding the connections between dramatic text and performance, the thesis proceeds to the notion of intertextuality and via that to the person who coined it – Julia Kristeva. In Kristeva’s view a text is formed by two elements: geno-text and feno-text. These terms are further explored and applied on Knives in Hens.
In the more practical section of the text, a dramaturgical analysis of the play occurs, exploring the function of language (with a particular regard to the linguistic paradigm), archetypes and Scottish heritage in the text. That is followed by a brief insight into the problematic of translation of a text as difficult and dense as Knives in Hens, analysis of key symbols and their representation in the production and overall scenographic concept. The last sections are then concerned with the process of rehearsing and finalizing the production, including the selection of music.
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Corporate Social Responsibility in Engineering Company
Mašková, Barbora ; Žižlavská, Jana (referee) ; Putnová, Anna (advisor)
This diploma thesis is focused on corporate social responsibility. It analyses current situation in area of CSR incompanies situated in Czech Technology Park Brno. Further it analyses attitude to this topic from point of view of the czech company TOS – Kuřim OS, a.s. specialized in civil engineering. It includes suggestions how to strenghten corporate environment and reliability as well as the image of the company.
|
|
|
Cross-gender casting of tragedies by William Shakespeare
Mašková, Barbora ; Nováková, Soňa (advisor) ; Hančil, Jan (referee)
Cross-gender casting (i.e. the casting of female performers for male parts and vice versa) of plays by William Shakespeare is not a scarce phenomenon and is getting more and more popular in the recent years. In spite of the frequent claim of the theatre-makers and critics that it is in fact a gender blind casting, where the gender of the performer does not matter, the thesis attempts to prove that, in fact, it is not the case. This is exemplified on three most frequently staged and also most commonly cross-gender cast plays: Hamlet, King Lear and Romeo and Juliet. Via these examples the thesis shows the variability of approaches to cross-gender casting and the differences in realization. In the first chapter, the key terminology is defined, in order to avoid confusion, discussing the differences between cross-dressing, travesty and cross-gender casting. That is followed by subchapters in which the basic frame of thought is suggested, building on Judith Butler's deconstruction of gender and the concept of gender performativity. The last subchapter of this section deals with the history of cross-gender casting, including the Elizabethan all-male staging tradition. The next three chapters are then devoted to each of the plays, analyzing the possible interpretive keys and motivations for a cross-gender cast...
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|
|
Shakespeare's Drama and Homosexuality
Mašková, Barbora ; Znojemská, Helena (advisor) ; Nováková, Soňa (referee)
Slowly developing since the 1980's, queer theory became a very important sphere of gender studies of the end of the 20th century and affected not only the very perception of gender categories, but also intepretations of these in texts. The thesis concentrates on queering of the dramatic works of William Shakespeare, describing relations which can be broadly characterized as homosexual - romantic or sexual attraction between members of the same sex, including homoerotic or homosocial aspect of these relationships. After establishing the textual grounds for these readings the text goes on to describe various stagings in theatre, television and film of Anglophone and Czech origin. In order to achieve representative illustration of the problem the established division of Shakespeare's drama is maintained, dividing the plays into three categories - comedies, tragedies and historical plays. One play of each of these categories is then discussed further. These are The Merchant of Venice for comedies, Othello for tragedies, and Richard II as a representative of historical plays. In the Merchant of Venice the discussed relationship is the one of Antonio and Bassanio, examining the possible motivation for Antonio's incredible generosity towards his young friend. The most famous homosexual interpretation of the...
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