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Leoš Janáček " Glagolitic Mass
Kružík, Robert ; MÁTL, Lubomír (advisor) ; SVÁROVSKÝ, Leoš (referee)
Works of Leoš Janáček were always very close to me. I grew up listening to them , when I was a child I listened to his operas many times in the Janáček Theatre, where my father worked for years. I was therefore very excited to delve myself into the work of the Glagolitic Mass, and I am also sure that it is very good material to write a thesis. In the main part of this work I´m going to focus on comparing different interpretive approaches, because we can interpret Janáček´sworks in many different ways and it is hard to determine which is the right one. Me as a native of Brno, i inclined to the "Brno" tradition of interpreting master´s works. I´m very curious about all the different interpretations, above all Sir Charles Mackerras, who is credited with promoting the Janáček music in the world.
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Worldwide choral Work and Capella by Francis Poulenc
Louženský, Petr ; KOUTNÍK, Tomáš (advisor) ; MÁTL, Lubomír (referee)
This thesis is a brief study of profane a capella works for mixed chorus by Francis Poulenc, the well known componist of the first half of twentieth century. On one hand the work descriebes his basic living moments important for his life and artistic work. On the other it analyze his profane works which was written for the mixed chorus a capella, i.e. without any instrumental accompaniment, reflecting mainly its musical form, harmonical structure and his technigue of composition.
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Sacral Choral Work A Cappella By Francis Poulenc
Louženský, Petr ; Svárovský, Leoš (advisor) ; Mátl, Lubomír (referee)
This thesis is a brief study of sacred a cappella works for mixed chorus by Francis Poulenc, the well known componist of the first half of twentieth century. On one hand the work discribes his basic living moments important for his life and artistic work. On the other it analyze his sacral works which was written for the mixed chorus a cappella, i.e. without any instrumental accompanyment, reflecting mainly its musical form, harmonical structure and his technique of composition.
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The analysis of the oratorios by Sylvie Bodorová
Štilec, Marek ; Svárovský, Leoš (advisor) ; Mátl, Lubomír (referee)
This work is an anapysis of two oratorios ( Juda Maccabeus and Mose) composed by Sylvie Bodorová. The focus is on Old Testament text analysis and there is an description of musical form, rhytm and melodic elemnts used in these two compositions. The purpose of this diploma work is also to point out sensitive points of these oratorios during the conductor´s work and during the performences.It tries to be very precise guide not only to these compositions, but also to the other works by Sylvie Bodorová. The biggest attention is given to the rhytmic elements and structure of the Borodovaś music. At the very end this work provides an overview of the whole Bodorová input and her place in the contemporary music.
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Musical form of Stabat Mater
Židek, Tomáš ; Mátl, Lubomír (advisor) ; Mátl, Lubomír (advisor) ; Brych, Jaroslav (referee)
Thesis "Stabat Mater as a Musical Form? with the analysis of Foerster?s cantata deals with the origin of a sequence Stabat Mater Dolorosa, its poetic and contentual structure, its liturgical position and most of all with the frequency and typology of its musical conversion. To illustrate the problematics the thesis quotes various Czech translations of this famous poem in context of strophic songs and especially presents an analysis of cantata Stabat Mater, op. 56 by Josef Bohuslav Foerster, who filled this vocal piece with both formal unity in sense of Cecilian reform of church music and a specific musical-expressive meaning.
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Non-professional Choirs Of Plzeň County
Vorlíček, Marek ; Koutník, Tomáš (advisor) ; Koutník, Tomáš (advisor) ; Mátl, Lubomír (referee)
Choir singing which has for sure a strong tradition in Bohemia gets back ( at least in western Bohemia) to the forefront of musical public again.Why is it so,why was it in the past, and what are their conditions in in our society - these are the main themes of this work. In constituent chapters I will talk about the activities and repertoire of each on of choirs, about their present problems, I will get through their strong and weik points. These will help me to find general conclusions about some of the problems of choir singing in Plzeň region.
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