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Laboratory exercise Electronic access control
Krejča, Tomáš ; Hajný, Jan (referee) ; Burda, Karel (advisor)
This bachelor thesis is divided to theoretical and practical part, in theoretical part deals with description Access control systems ACS. The benefits of deploying systems are discussed, your architecture, opportunities for future development in IP sites and power over technology Power over Ethernet. Introduces the use of the interface Wiegand. In text are described individual authentication and identification technology. The largest space is devoted to radiofrequency technology and now unused magnetic and Wiegand cards. Outlined is NFC technology. From biometric technology is described optical method fingerprinting. In the practical part, the thesis deals with the design of laboratory exercise. The supplied components are described in the text. The involvement and description of the options is worked out. The thesis contains the text of the laboratory exercise of electronic access control for students and additional text for teachers. Assembly and connection of the system is in the chapter Technical documentation.
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Laboratory exercise Electronic access control
Krejča, Tomáš ; Hajný, Jan (referee) ; Burda, Karel (advisor)
This bachelor thesis is divided to theoretical and practical part, in theoretical part deals with description Access control systems ACS. The benefits of deploying systems are discussed, your architecture, opportunities for future development in IP sites and power over technology Power over Ethernet. Introduces the use of the interface Wiegand. In text are described individual authentication and identification technology. The largest space is devoted to radiofrequency technology and now unused magnetic and Wiegand cards. Outlined is NFC technology. From biometric technology is described optical method fingerprinting. In the practical part, the thesis deals with the design of laboratory exercise. The supplied components are described in the text. The involvement and description of the options is worked out. The thesis contains the text of the laboratory exercise of electronic access control for students and additional text for teachers. Assembly and connection of the system is in the chapter Technical documentation.
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Janacek´s sčasování and spletna
Bogišová, Lucie ; KREJČA, Tomáš (advisor) ; OPLIŠTILOVÁ, Iva (referee)
This master’s thesis deals with the interpretation of the sčasování and spletna, two of the key musical theoretical concepts of Leoš Janáček (1854-1928). The first half of the text is trying to term of sčasování and many of related terms with him to approach from the standpoint of Janáček's theoretical texts and studies by leading Czech musicologists. Also here we highlight the elaboration of the concept in the form of a discipline called musical kinetics, and all formal knowledge of the sčasování here are in the form of dictionary watchword. The goal of the second half of the work is to map the content of the concept spletna and related concepts within terms pocit and pacit and point out that their development in Janáček's creative thinking. Also here is a theoretical work of Janacek's like the basic assumption for our interpretation on which the findings are based on our comments to the reflection spletna for a number of Czech and foreign authors. Even with terms of spletna, pocit and pacit, we evidence clarification of these terms, that will be in the form of the real and the imaginary tone, which characterized Karel Janeček. The main benefit of the work is to bring the music of Janáček's central theoretical expressions in the form of today's musical terminology and hold all-encompassing terms and their interference to modern theoretical research. Using the description of the concepts we examined we also had a chance to point out some interesting moments in the composer's theoretical thinking.
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TECTONICS OF THE 20th AND 21st CENTURY MUSIC FROM THE PERSPECTIVE OF COMPLEX ANALYSIS OF MUSIC STRUCTURE
Krejča, Tomáš ; TICHÝ, Vladimír (advisor) ; KVĚCH, Otomar (referee)
This dissertation tries systematicaly contain rarely reflected phenomenon of tectonics. Its aim is to explore tectonics as a dynamic process of structuring focused on the structures of 20th and 21st century music.
This thesis portrays tectonics as a comprehensive tool of articulation of music and sound material in general. It reflects the current state of research on home field and brings partial views of the world, where, however, faces terminological difference and practical absence of tectonics as a term and as a musicological field or discipline. Tectonics conceived as a systematic discipline reflecting the tectonics as a phenomenon is to some extent the Czech (Czechoslovak) specifics. Within its own concept of tectonics of contemporary music the thesis presents general tectonic scheme of the structuring process. In the range of this work is structure defined as a system and some tectonic functions and principles are described too. The dissertation, however is honestly trying, not aspire to be a comprehensive, complete and systematicly perfect concept of tectonics. In terms of variability and evolution of musical language, which is tectonics an organic part of, it is not even possible. Nevertheless, we believe that this thesis will provide useful insight and possible introduction to closer examination of tectonics as a key phenomenon of structuring the musical substance.
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Online marketing. Leveraging social media to promote classical music
Christovová, Aneta ; RADOK ŽÁDNÁ, Ingeborg (advisor) ; KREJČA, Tomáš (referee)
This thesis is focused on online marketing and it’s features within the classical music context. The introduction briefly presents the Internet, marketing and online marketing. The thesis adresses following questions: using online tools, what can we do to let young people know about classical music? Which social media are ideal to connect with specific focus groups? Is leveraging social media at Czech music scene internationally competitive? Social media are introduced on a level of a common user, the analysis shows the suitability of various media for classical music institutions (orchestra, opera house, festival, interpret). While preserving the specificity of it, classical music is here seen as a (marketing) product. The thesis shows summary of all social media which are usefull for communication with people who use them. It also poses fundamental rules for effective use of social media.
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Introduction to the study of jazz music
Bogišová, Lucie ; KREJČA, Tomáš (advisor) ; Levíček, Jiří (referee)
This bachelor’s thesis is deals with the terminology and basic harmonic phenomenons in the area of jazz harmony. It’s target is a brief and outlining insight into the harmonic part of music, which we come across more often every time, meeting harmony by itself but also across all musical genres, „classical“ music included. It’s main goal is to show to the artists of „classical“ music the basic phenomenons that are characteristic for jazz harmony. The work is divided into four chapters (The chord, Writing of compositions, Basic building material and the Harmonic movement). The benefit of this work is especially the comparison of specific harmonical phenomenons of jazz music with identical (related) phenomenons in classical-romantic harmony. The work is for a good overview replenished with some practical note examples.
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Financing the cultural sector in the Czech Republic
Krejča, Tomáš ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This diploma thesis looks at the region 's cultural sector in the Czech Republic , its functioning, structure and systems of financing. The basic approach of this work is economic and analytic view. The work deals with the environment in which cultural product is formed , the environment in which it is implemented, about the financial mechanisms that allow the formation of the product. Based on the analysis of specific data reflects upon the efficiency of certain bodies and over the meaningfulness of their financial, management and production mechanisms. The thesis analyzes the basic sources of funding for the cultural sector in the Czech Republic and based on the known attempts to suggest possible new methods and modifications to existing funding leading to greater efficiency and possibly better functioning entities within the sector involved, as well as the entire industry itself. However, this is only relevant proposal, which may contribute to improve the current attempt. But to definitely find new effective financing solutions of cultural sector to streamline the functioning of the current system and solve some of the problems associated with its functioning is not and can not be the aim of this work.
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Cultural and market-economic Aspects of transmission Opera Performances from Metropolitan Opera in New York (Met)
Krejča, Tomáš ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This B.A. thesis Cultural and market-economic aspects of transmission opera performances from Metropolitan Opera in New York(Met) aims to map one of the products the Metropolitan Opera in New York, the product of live broadcasts of opera performances in high quality image resolutin, the product Live in HD. Its aim is to capture the successful product development applying in the cultural field at a time close to his creation, but also a sufficient distance to enable him to capture the development and performance. Compares the conditions for applying the product (in the broader context of cultural functioning of the market) in theU.S. and Republic, explains the principles of operation of the product, examines the distribution and promotional network needed for its spread and points to certain elements and moments as a possible source of inspiration for the cultural market in the Czech Republic. This work is in the Czech Republic in this range yet unique.
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Tectonic Principles of the 20th and 21st Century Music
Krejča, Tomáš ; Tichý, Vladimír (advisor) ; Vičar, Jan (referee)
This M.A. thesis Tectonic Principles of the 20th abnd 21st Century Music explores the various methods of formation and structuring structures present days. It also aims at their comparison with earlier compositions. The music structures are examined not only from the point of view of their creation and formation but also from the point of view of their impact on the receiver. Consequently, the findings are applied in the formulation of rules of contemporary music analysis in attempt to improve orientation in musical expressions not only with regard to music analysts but all receivers in general.
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