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Benjamin Franklin and Jay Gatsby: A Comparison of American Literary Self-Made Men
Korejtková, Adéla ; Procházka, Martin (advisor) ; Veselá, Pavla (referee)
The thesis focuses on Benjamin Franklin, as he is portrayed in his Autobiography, and Jay Gatsby, the protagonist of Fitzgerald's The Great Gatsby, who are connected not only by being self-made men. Firstly, they are both symbolical figures that made a powerful commentary on a period, on the country and on its core myth - the American Dream. Secondly, they are linked by Fitzgerald himself since his hero creates a schedule and a table of general resolves which clearly imitate Franklin's schedule and the list of thirteen virtues that he intended to master. The aim of this paper is to focus on the Autobiography and The Great Gatsby and to show that Franklin's views of self-help, virtue, material wealth, social progress or religion may add another dimension to the analysis of the character of Jay Gatsby and his relation to the American Dream. In the second chapter of this thesis, the two texts are examined in terms of the authors' purpose, style and the way the central character is presented to the audience. Furthermore, I compare Franklin's own stylized self-presentation to Nick Carraway's view of Gatsby. The third chapter aims to determine in what way was Franklin's version of the central American myth transformed or corrupted in The Great Gatsby. In this part, I compare the schedules of the...
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Hybrid Bodies and Hybrid Identities in the Fiction of Octavia Butler
Korejtková, Adéla ; Veselá, Pavla (advisor) ; Procházka, Martin (referee)
The thesis explores the theme of hybridity in Octavia Butler's Xenogenesis trilogy and in her last novel, Fledgling, which both deal with complex relationships between humans and a different species. The main focus is on the characters of mixed origin - offspring of two distinct species and beings whose existence is a result of genetic experiments. These individuals occupy a metaphorical "in-between" space where cultural, racial, sexual and other boundaries meet and blur. The theoretical framework follows two sets of ideas - Homi Bhabha's notion of hybridity and the so-called Third Space, and Donna Haraway's cyborg figure. The second chapter of the thesis is centered on the origins and development of the concept of hybridity and its current use in postcolonial discourse. Furthermore, it introduces the most relevant ideas from Bhabha's The Location of Culture and Haraway's "A Cyborg Manifesto" and compares them. The following two chapters are mainly devoted to Butler's hybrid characters, Akin and Jodahs from Xenogenesis and Shori, the protagonist of Fledgling. This section analyses, among other issues, their physical features and special skills connected with hybridity, the construction of their identity, their relationship with others and their relation to the clash between different species and...
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Benjamin Franklin and Jay Gatsby: A Comparison of American Literary Self-Made Men
Korejtková, Adéla ; Procházka, Martin (advisor) ; Veselá, Pavla (referee)
The thesis focuses on Benjamin Franklin, as he is portrayed in his Autobiography, and Jay Gatsby, the protagonist of Fitzgerald's The Great Gatsby, who are connected not only by being self-made men. Firstly, they are both symbolical figures that made a powerful commentary on a period, on the country and on its core myth - the American Dream. Secondly, they are linked by Fitzgerald himself since his hero creates a schedule and a table of general resolves which clearly imitate Franklin's schedule and the list of thirteen virtues that he intended to master. The aim of this paper is to focus on the Autobiography and The Great Gatsby and to show that Franklin's views of self-help, virtue, material wealth, social progress or religion may add another dimension to the analysis of the character of Jay Gatsby and his relation to the American Dream. In the second chapter of this thesis, the two texts are examined in terms of the authors' purpose, style and the way the central character is presented to the audience. Furthermore, I compare Franklin's own stylized self-presentation to Nick Carraway's view of Gatsby. The third chapter aims to determine in what way was Franklin's version of the central American myth transformed or corrupted in The Great Gatsby. In this part, I compare the schedules of the...
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