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Symbiotic imprint
Kachtíková, Michaela ; Tkáčová, Lucia (referee) ; Houser, Milan (advisor)
The thesis entitled "Symbiotic Imprint" explores the symbiotic relationship between the physicality and the mind through a meditative practice that materializes in a site-specific installation inside the catacombs. The thesis reflects the artist's personal research into the inner mental space that is transformed into physical form. The author presents a space that, while familiar to her, is at the same time alien, and which is constantly transforming and evolving as a result of long-term care. This process leads to the creation of a unique dialogue between external and internal environments, where physical interaction and presence of body become key components for deeper understanding and self-knowledge. The site-specific installation attempts to connect the outer and inner worlds, the visible and the hidden, inside and outside.
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Germ and potential
Kachtíková, Michaela ; Houser, Milan (referee) ; Mikyta, Svätopluk (advisor)
Bachelor's thesis deals with topics such as presence, perception of corporeality and oneself appear in the context of the process of creation of a work. The evolving themes reflect subjective present vision and fascination with materiality, in order to achieve sustainable art and life. It asks questions of aesthetic - philosophical nature. What is the relationship between art and sustainability, the relationship between work, its creator, and objects? The work that was created is a material artifact, a record of being in the past and in the present. It is like a record arc, a photograph of a given reality, created to understand the past in the future. It is a reflection of the inner nakedness, internal processes, inner emotions and thoughts which shape the inner aspects of the psyche, expand into space, crawl, fill, and have their own distinctive life.
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Germ and potential
Kachtíková, Michaela ; Houser, Milan (referee) ; Mikyta, Svätopluk (advisor)
Bachelor's thesis deals with topics such as presence, perception of corporeality and oneself appear in the context of the process of creation of a work. The evolving themes reflect subjective present vision and fascination with materiality, in order to achieve sustainable art and life. It asks questions of aesthetic - philosophical nature. What is the relationship between art and sustainability, the relationship between work, its creator, and objects? The work that was created is a material artifact, a record of being in the past and in the present. It is like a record arc, a photograph of a given reality, created to understand the past in the future. It is a reflection of the inner nakedness, internal processes, inner emotions and thoughts which shape the inner aspects of the psyche, expand into space, crawl, fill, and have their own distinctive life.
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