National Repository of Grey Literature 44 records found  1 - 10nextend  jump to record: Search took 0.00 seconds. 
Short film's problems from the producer's point of view
Netíková, Martina ; OUKROPEC, Petr (advisor) ; KALLISTA, Jaromír (referee)
This bachelor thesis examines conditions for producing a short film in Czech Republic from a producer`s point of view. Firstly, the term `short film` is defined and put in context of Czech film industry. Afterwards, thesis focuses on the attitude of key institutions and other aspects that influence the conditions of short film production. Individual chapters describe the specifics of development, production and distribution - outlining the differences from working with feature films, characterizing individual procedures and giving specific examples. At the end of the thesis sale possibilities are presented as well as possible financial and intangible profitability.
Film festival strategy planning on example of the 30th Famufest
Gabrielová, Alžběta ; KALLISTA, Jaromír (advisor) ; RYCHECKÝ, Tomáš (referee)
The thesis aims to determine the process of developing a strategic analysis for film festivals. The processes are demonstrated on a specific example of the film festival of student films Famufest. The aim is to determine the strengths and potential future threats. The theoretical part describes the structure of the festival and the specifics of its operation compared to other film festivals in the Czech environment. The practical part analyzes the festival based on strategic analysis procedures. It contains the description of its currently functioning, activity status and future direction, which the festival could take.
Film online distribution: The independent films´ possible reaching to the most important VOD platforms nowadays
Čajková, Michaela ; KALLISTA, Jaromír (advisor) ; PRAŽSKÝ, Přemysl (referee)
The aim of the bachelor thesis is the investigation of S-VOD and T-VOD platforms available in the international online market. The author focuses on possible profits which brings video on demand. She explores the way of functioning of the biggest players while special focus on barriers of entering the market - the role of aggregators is clarified. The second part of thesis is more practical and the independent film strategy for entering the market, Lampedusa in Winter is made.
Danish TV System
Staněk, Jan ; KALLISTA, Jaromír (advisor) ; Badač, Peter (referee)
The author of this thesis is dealing with danish TV system. He is focusing on it´s historical developement, structure, regulation, way of financing and on it´s most important players. He analyses the literature works of danish professional authors and primary sources, like websites and presentations of included institutions. The author creates current and broad picture of danish TV in 2016, of it´s mechanisms and elements. Then, he compares his findings with system of czech TV´s, which may seem same functional as danish from an external point of view , but it´s nation and international succeeds are imcomparable.
NEW POSSIBILITIES OF DISTRIBUTION OF LOW-BUDGET FILMS BY PRODUCER IN THE CZECH REPUBLIC
Michálek, Tomáš ; ŠVECOVÁ, Marta (advisor) ; KALLISTA, Jaromír (referee)
In my Master's thesis I will focus on new possibilities of distribution of low-budget films by producer in The Czech Republic. The work is patterned on the current situation where more and more domestic films are distributed by its producer. In addition, a number of smaller Czech films are distributed by classical distributors. The thesis will try to outline the context of the development of independent distribution in the United States with the situation on the European market, respectively on the Czech one. I will try to describe the current situation on the film market, methods of treatment of film distribution and their advantages and disadvantages. The core of my work will be devising new methods of film distribution of low-budget films in connection with the setting of marketing and distribution strategies .
Creativity Iin Producing Practise
Mahler, Jakub ; KALLISTA, Jaromír (advisor) ; VLACH, Jiří (referee)
This Baccalaureate thesis aims to examine the creative component of Czech film producers' work: to what extent finished projects match the original ideas and which methods are used to maintain a direction in the development and realization stages of the film production. This work attempts to describe the types, methods, possibilities and tendencies of the producers' creativity, and also examine the creative part of their work in general. Based on both historical and current analyses, case studies (both published and original ones) of individual films, and interviews of producers and directors, the author explores the producers' approach (choice of the film material, producers' visions, social and artistic ambitions) and their methods at individual production stages (how much freedom they give to the creative professionals and to what extent they intervene with the film's production). The author of this thesis then compares and contrasts the various film production styles and provides a comprehensive synthesis.
Production of newspaper
Kučerová, Zuzana ; KALLISTA, Jaromír (advisor) ; Badač, Peter (referee)
The bachelor's thesis "Production of festival newspaper; comparison of Festival Daily and Film Sheets" deals with a comparison of the festival periodicals as the production. The aim of the study is to describe the conditions of production of the festival newspaper at the International Film Festival in Karlovy Vary and Summer Film School in Uherské Hradiště in 2014, and show their influence on the final form of periodicals. Furthermore, these production environments will compare, evaluate and propose a basis for improving production conditions in the coming years.
Alternative Content in Czech Cinemas from 2007 to 2012
Dohnalová, Kamila ; KALLISTA, Jaromír (advisor) ; ŠUSTER, Jan (referee)
The bachelor thesis on "Alternative Content in Czech Cinemas from 2007 to 2012" deals with the new segment of the film market known as alternative content or event cinema. In the last few years, presentations of these audiovisual programs that are different from feature films show very dynamic development in digital cinemas. Characteristics of the current global event cinema market and retrospective overview of the types of alternative content are introduced for a complex understanding of the topic. The situation of Czech event cinema market is described, including the diversification and growth of the market during which the Aerofilms distribution company has recently lost its exclusivity. The thesis summarizes the current state of technology and digital cinema satellite distribution that is the future of delivering the audiovisual content. The operating methods are study of foreign and Czech literature, description of program and dramaturgy of participating entities, content analysis and participant observation.
Student film as a genre and its presence at international film festivals
Žáčková, Julie ; OUKROPEC, Petr (advisor) ; KALLISTA, Jaromír (referee)
Student film is rather a technical category than a specific genre. It is defined by school-given parameters, technological approach or length. However, student films can also be seen as professing certain elements of a genre that stem out of the very given criteria. The focal point of the thesis is the relationship between student films and in majority international film festivals - this is approached based on mapping of significant achievements of Czech student films at international festivals, examination of student films as seen by the festivals and Czech film professionals and experts. The key element that will be dealt with throughout the entire thesis is the discussion concerning the artifically-introduced stigma that student films carry in the eyes of the general public.
Film fiscal incentives in Czech Republic
Moravčíková, Alexandra ; KALLISTA, Jaromír (advisor) ; ŠUSTER, Jan (referee)
The thesis is dedicated to the fiscal incentives in Czech republic, as it represents an option of support for the projects, that decide to go in production in here. It focuses on the foreign companies and conditions for them. It describes the origin of the official Programme for the film industry support with its law basics and it gives also some case study examples of projects with concrete figures. In the end the thesis tries to balance what are the advantages and where are the limits of fiscal incentives programme in Czech republic.

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