National Repository of Grey Literature 4 records found  Search took 0.00 seconds. 
Praktické provedení Koncertu č. 1 A dur a tempový rozbor českých nahrávek Koncertu č. 2 h moll
Jamník, Tomáš ; PETRÁŠ, Miroslav (advisor) ; BERNÁŠEK, Václav (referee)
The first part of the dissertation examines all of the orchestrated versions of Dvořák's Cello Concerto in A major.The analysis is based on graphs, which show the cuts in every version. The work of Günter Raphael and Jarmil Burghauser's version are looked at in close detail. The second part of the dissertation analyses tempo changes in all of the Czech recordings of the concerto. Original graphs show the differences between tempo marks in the autograph version and in recordings.
Beethoven and violocello
Petr, Václav ; Ericsson, Mikael (advisor) ; Petráš, Miroslav (referee) ; Jamník, Tomáš (referee)
Ludwig van Beethoven enriched the violoncello repertoire. He created the new form of the sonata for piano and violoncello. His variations for violoncello and piano are also notable. All his cello sonatas and variations are innvolved in this thesis. His Sonata No. 5 in D major, op. 102/2 will be analyted in formal way. His Concerto in C, op. 56 for piano, viollin and cello, with orchestra by also analyzed. The role and function of the violoncello in his strings guartets is involved.
Problematics of critial editing of works for cello by Bohuslav Martinů
Jamník, Tomáš ; Chuchro, Josef (advisor) ; Chuchro, Josef (advisor) ; Petráš, Miroslav (referee) ; Veis, Daniel (referee)
In my diploma thesis I focus on three works by Bohuslav Martinů : Sonata No.3 for cello and piano, Duo No. 1 for violin and cello and Sonata da Camera for cello and small orchestra. On basis of comparing printed materials with manuscripts ( or other sources) I try public my personal solution in problematic places.
Max Reger - Suite No. 2 d minor for violoncello solo, op. 131 c
Jamník, Tomáš ; Chuchro, Josef (advisor) ; Chuchro, Josef (advisor) ; Petráš, Miroslav (referee) ; Veis, Daniel (referee)
In my thesis I tried to collect all information and details, which can be helpful for better understanding Max Reger's Suite No. 2 d minor op. 131 c . I focused on historical background of the work, obtainable editions and analysis of the work.

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