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Hugo Riemann's Correspondence with Josef Jiránek from the Fonds of the Bedřich Smetana Museum
Vejvodová, Petra ; Ottlová, Marta (advisor) ; Hradecká, Dita (referee)
The thesis focuses on autograph letters sent by Hugo Riemann to Josef Jiránek, currently archived in the Bedřich Smetana Museum. The collection includes nine letters (two copies by Josef Jiránek), 12 postal cards and two envelopes. There are also two printed announcements (related to Riemann's 60th birthday.) Apart from addressing the theory of phrasing, Riemann's letters reflect upon theoretical and teaching treatises by both Riemann and Jiránek. The letters served as an invaluable source of information for Riemann's fundamental piece of work, the Musik-Lexikon. The objective of the thesis is to duly transcribe, summarize and comment on the correspondence which has received little attention by scholars so far.
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Alexander Dreyschock. Virtuosity in Bohemia
Hradecká, Dita ; Gabrielová, Jarmila (referee) ; Ottlová, Marta (advisor)
Reflexe virtuozity na pude ceskych zemi ve 30. a 40. letech 19. stoleti nese znaky pfechodoveho obdobi, kdy se do centra zajmu na misto rykonu virtuosa dostava rykon interpreta hudebniho dila. Pfedesle kapitoly naznaCily, ze Alexander Dreyschock si vzhledem ke svemu vyznamu pro hudebni zivot Prahy i Evropy zasluhuje vetsi pozomost, nez jake se mu doposud dostavalo. Jak napovidaji uvedene sondy do jeho tvorby, Dreyschock patfil k tern klavimim virtuosum, jiz rozvijeli zvukove moznosti nastroje jako soucast hudebni struktury a pracovali na integraci virtuozity do formaIne uzavfeneho dila. Dreyschockovu tvorbu je zapotfebi zkoumat a provadet. Teprve az budeme mit sluchovou zkusenost, az bude mozno porovnat Dreyschockova dila se skI adb ami ostatnich virtuosu, pfiblizime se trochu Dahlhausove pozadavku "rekonstrukce" a budeme moci v dobove produkci lepe diferencovat, nez tomu bylo dosud.
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