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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Entertainment programmes in Czech television with an emphasis on public television.
 Hirsch, Cyril ; MYSLÍK, Václav (advisor) ; SVOBODA, Otakar (referee)
Entertainment has been one of the major genres throughout the history of television, which has served an entertainment function from its very beginning. With the arrival of the dual broadcasting system, the genre became controversial in the context of public service to citizens. The thesis discusses the evolution of entertainment programmes in Czech television, placing an emphasis on Česká televize (Czech Television), the public TV. The thesis provides a comprehensive picture of the genre, putting it in the context of the historical development of Česká televize and, later, the arrival of commercial broadcasters in the Czech Republic. It discusses the development of TV entertainment formats in terms of programming, as well as the possibilities and types of programme production. Yet the most important part is the comparison of private broadcasters' and the public institution's approach to the entertainment genre, which, by definition, tends to be rather commercial in its concept.
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Types of production in Czech Television with focus on commisioning work to external producers.
 Hirsch, Cyril ; Myslík, Václav (advisor) ; Svoboda, Otakar (referee)
Czech Television has long been one of the biggest co-producers of Czech film. At the same time, however, it is also one of the main organisations to commission work from freelance producers in the production of audiovisual creation. It is therefore highly likely that most of the graduates of the Department of Production (and other departments at the Film and TV School of the Academy of Performing Arts ? ?FAMU?) meet each other in their professional lives at Czech Television sooner or later. A good understanding of the individual types of production at this institution should be an inherent part of the knowledge of film school graduates. Novice independent producers and authors are undoubtedly interested in the criteria for commissioning work or the possibility of co-production, what the set-up is like and what decides on how it all looks. The primary aim of this paper is to come up with a sort of ?manual? for freelance producers and authors to help them find their way around this issue. The second aim of the paper is somewhat more general. I will attempt to examine the freelance commission and co-production of an audiovisual piece of work within the context of public service television.
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