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National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Methodology of the Cooperation between the Director and Actor and Contermporary Theater Practice
 Glogrová, Kateřina ; BURIAN, Jan (advisor) ; HRBEK, Daniel (referee)
The thesis deals with the cooperation between the director and actor during individual phases of the staging process as they appear in everyday theatre life. The indiviual phases of the staging process are supplemented by the author's own experience with managing the actors, which she gained especially in the course of her studies at the Drama Faculty of AMU. The second part of the thesis investigates the issues of inner truthfulness and the possibilities of its achievement within the production of a play. As a part of collecting the material for the thesis, the author conducted a research, which included interviews with three professional directors - Hana Burešová, Ladislav Smoček and Štěpán Pácl, whose methods of work are described. In the final part of the thesis the author states that it is difficult to draw general conclusions about the cooperation between the director and actor because it is always of subjective nature. The issue of inner truthfulness is similarly difficult to generalise. Due to the multiplicity of options, however, neither of them loses attractiveness for further research.
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A BORDERLINE BETWEEN THE GAME / PLAY AND REALITY
 Glogrová, Kateřina ; Kudláčková, Jana (advisor) ; Sílová, Zuzana (referee)
In the Introduction Kateřina Glogrová explains why she chose the topic The Borderline between the Game / Play and Reality for her thesis, and what the connection between the topic and her bachelor production of Jean Genet?s play The Maids, on which she participated as a director, is. Chapter 2 deals with the factual interpretation of The Maids. Chapter 3 concentrates on a ?game / play? as such within the context of Johan Huizinga?s theories. Chapter 4 analyses the character of Claire?s and Solange?s ?play? which appears to be the most important principle of The Maids. Chapter 5 focuses on the role-play and in Chapter 6 the relation between the ?game / play? and reality and the borderline between them are tackled. In the final chapter the author states that it was the understanding of Genet?s playfulness that became the key to the interpretation and production of the play.
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