Home > Search Results: Fu, Sheng-Yun
Search:
Search Tips :: Advanced Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 1 records found  Search took 0.00 seconds. 
Husserl's Doctrine of "Transcendental Aesthetic" : As three modalities of musical thinking
 Fu, Sheng-Yun ; Baum, Manfred (advisor) ; Tengelyi, Laszlo (referee)
The doctrine of "Transcendental Aesthetic", given by Kant in his Critique of Pure Reason, was not yet fully developed until Husserl deals it with the doctrine of Phenomenology from around 1919. Husserl names this interpretation of "Transcendental Aesthetic" as "mundane Ontology" or "logic of the life-world. This phenomenological revolution of Kant's first Critique has transformed into a mutual relationship of "transcendental Aesthetic" and "transcendental Logic". That implicates that human thought must depend on his material world as starting point. This concrete point is taken as task (Praxis) for everyone in search of practical-theoretical wisdom. This thesis will treat about Husserl's theory of "Transcendental Aesthetic". And we will find that his interpretation is diversified according different stages of his philosophical life. In general, we could find three definitions of the idea of "Transcendental Aesthetic". And this variety depends on how the "material" is treated. In the last chapter of thesis, the theory will be extended into practical thinking of music. In comparison between three characters or modalities of musician - composer, conductor of orchestra and performer, they could correspond with the three definitions of "Transcendental Aesthetic". This would be proved that Husserl's doctrine of...
Detailed record

Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English