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Artificialism as a specific Czech inter-war style
Bočková, Anežka ; Bláha, Jaroslav (advisor) ; Čech, Viktor (referee)
Bočková, A.: Artificialism as a specific Czech inter-war style [Diploma thesis] Prague, 2016 - Charles University, Faculty of Education, Department of Art Education. 118 p. This diploma thesis has the character of comparative analysis, which deals with the Artificialism as specific Czech style in the period between two world wars. This work maps its position in the interwar art. It finds resource for a development of art and literary style similar to poetism or the Devetsil association. The poetism brings a new view of the world. The Artificialism is its visual equivalent that provides identification of the painter and poet, or poetry and image, or the topic of memories of memories. The thesis also presents the main and only two members of Artificialism - Styrsky and Toyen, and discusses their work, ideas, practices and theoretical works. I analyse the tensioned relationship between Artificialism and surrealism in the conclusion. The important finding is that artificialism is the original and most peculiar style of the interwar avant-garde, not only an intermediate step between Cubism and Surrealism, as it was presented in last years. On the base of theoretical part there was made the concept of practically proven didactic series, with reference to the Framework Education Programme and to the...
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Comparison of the dramatic artwork with its contemporary staging. Tom Stoppard : Rosenkrantz and Guildenstern Are Dead
Bočková, Anežka ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The theme of my bachelor thesis is a comparison of a dramatic artwork Rosencrantz and Guildenstern Are Dead by Tom Stoppard with its contemporary staging in Celetná theatre. First of all I would like to grasp theoretically the relationship between play and its staging, then I want to deal with the role of the director and also with the interpretation of drama. I will introduce Tom Stoppard, his biography with important life milestones, which are somehow related to the play Rosencrantz and Guildenstern Are Dead. My goal is to show bits of the play, which could be interpreted divergently in the dramatic artwork and in its staging. I will go through all of the components of the original play and the staging and look for the possible differences of interpretation and their reasons. In comparison, I perceive changes in the impression of both of the works. I am going to work mainly with the dramatic artwork and its staging, because there is almost none secondary literature on this topic. My goal is to show bits of the play, which could be interpreted divergently. I demostrate the possibility of different interpretation on three examples. The first example are the gaps in the storyline, which Stoppard uses as a space for his brilliant play on words. However the staging seems to emphasize this humorous...
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Artificialism as a specific Czech inter-war style
Bočková, Anežka ; Bláha, Jaroslav (advisor) ; Čech, Viktor (referee)
Bočková, A.: Artificialism as a specific Czech inter-war style [Diploma thesis] Prague, 2016 - Charles University, Faculty of Education, Department of Art Education. 118 p. This diploma thesis has the character of comparative analysis, which deals with the Artificialism as specific Czech style in the period between two world wars. This work maps its position in the interwar art. It finds resource for a development of art and literary style similar to poetism or the Devetsil association. The poetism brings a new view of the world. The Artificialism is its visual equivalent that provides identification of the painter and poet, or poetry and image, or the topic of memories of memories. The thesis also presents the main and only two members of Artificialism - Styrsky and Toyen, and discusses their work, ideas, practices and theoretical works. I analyse the tensioned relationship between Artificialism and surrealism in the conclusion. The important finding is that artificialism is the original and most peculiar style of the interwar avant-garde, not only an intermediate step between Cubism and Surrealism, as it was presented in last years. On the base of theoretical part there was made the concept of practically proven didactic series, with reference to the Framework Education Programme and to the...
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Comparison of the dramatic artwork with its contemporary staging. Tom Stoppard : Rosenkrantz and Guildenstern Are Dead
Bočková, Anežka ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
The theme of my bachelor thesis is a comparison of a dramatic artwork Rosencrantz and Guildenstern Are Dead by Tom Stoppard with its contemporary staging in Celetná theatre. First of all I would like to grasp theoretically the relationship between play and its staging, then I want to deal with the role of the director and also with the interpretation of drama. I will introduce Tom Stoppard, his biography with important life milestones, which are somehow related to the play Rosencrantz and Guildenstern Are Dead. My goal is to show bits of the play, which could be interpreted divergently in the dramatic artwork and in its staging. I will go through all of the components of the original play and the staging and look for the possible differences of interpretation and their reasons. In comparison, I perceive changes in the impression of both of the works. I am going to work mainly with the dramatic artwork and its staging, because there is almost none secondary literature on this topic. My goal is to show bits of the play, which could be interpreted divergently. I demostrate the possibility of different interpretation on three examples. The first example are the gaps in the storyline, which Stoppard uses as a space for his brilliant play on words. However the staging seems to emphasize this humorous...
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