National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Introduction to a narration of documentary film
Brothánek, Adam ; Daňhel, Jan (advisor) ; Bagdasarov, Georgij (referee)
Diploma thesis Introduction to a narration of documentary film deals with specific qualities of narration in a documentary film, focusing on the editing process. Its theoretical bases comes out of contemporary narratology discipline and are applied when analysing selected works from across the film history. The first part of the work is engaged in the characteristics of a documentary film and the relationship between film medium and reality. These findings are further used when defining differences of narrative structure. Phenomenons of dramaturgy structure, time stylization, narrator, point of view and character are explained step by step in single chapters. The work is trying to reveal unique narrative features of a documentary in opposition to a fiction film. This work aims to be helpfull in use of film editing profession.
The First Audio-visual Experience
Gojdičová, Alexandra ; Bagdasarov, Georgij (advisor) ; Růžičková, Alice (referee)
My bachelor's thesis The First Audio-visual Experience (A Contribution of Developmental Psychology to Theory of Editing) is focused on a very early stage of infant development (up to the second year) when the first audio-visual experiences initiate the creation of basic cognitive structures - space, time, permanent objects and ?myself?. These structures anticipate the language structures. These terms represent the basic part of the film language based on nonsemantic perception. In this work I compare the knowledge of developmental psychology and film theories /Griffith, Vertov, Tarkovskij, Mitry, Brakhage) and focus on rhytm as a basic way to build cinematic space and time.
Film language and montage in the films of Yuen Woo-Ping
Reich, Michal ; Trajkov, Ivo (advisor) ; Bagdasarov, Georgij (referee)
The fight scene is a narrative element. It tells the story with the means of movement and film language. The key to decoupage is not to amaze, but to express fluctuation of energy between fighters and their inner state of mind. This diploma work analyses how to do that.

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1 Bagdasarov, Georgy
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