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Selected forms of pantomime in Czech theatre since 1989
Marková, Tereza ; Christov, Petr (advisor) ; Byček, Alexej (referee)
The thesis deals with selected forms of mime in Czech theatre since 1989. Primaly, the thesis will summarize the prime selected forms of mime in Czech history, their prerequisites for the future progression and it will introduce some of the important personalities appearing during the second half of the twentieth century. The main part of the text will deal with significant attributes of the chosen period and will be focused on selected forms of contemporary mime and its educative possibilities. The text will offer the gaze at forms of mime founded within the twentieth century and will try to present a view at future development of mime in the twenty-first century. Keywords Mime, nonverbal theatre, Pierot, clownery, grotesque, Ladislav Fialka, Boris Hybner, Ctibor Turba, Radim Vizváry
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MIMOZA
Vnouček, Jonatan ; BYČEK, Alexej (advisor) ; SOPROVÁ, Jana (referee)
The thesis focuses on the pantomime theater group MIMOZA in the political context of 1970’s and 1980’s and the influence of this historical period on the group productions. Thesis utilizes the method of semi-structured interview and it asks: to what extent the political situation influenced the production of the group. The thesis mentions an example of improvisation with the name of the play: Harakiri or ikebana. This particular play was performed only once and then banned. The example of this play shows that even though the members of the theater group saw themselves as apolitical, the political situation of the period did influence MIMOZA’s work.
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Street Dance Elements in Movement theatre
Stará, Michaela ; BYČEK, Alexej (advisor) ; SOPROVÁ, Jana (referee)
This thesis includes analysis and opinions on how to use elements of Street Dance styles in movement theatre. It contains the definition of the term and brief history of Street Dance. There are many different styles of this dance, therefore the meaning of my thesis is not to describe all of them, but to concentrate on specific ones, which are being combined with movement theatre and are connected with my personal experience with them. I will point out the usage of these styles in the latest performances and will also explain my personal author‘s opinion on the topic.
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