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Piano accompaniment. The specific art of piano playing
Papežová Erlebachová, Marie ; Palkovská, Jana (advisor) ; Tichá, Libuše (referee) ; Bogunia, Stanislav (referee)
This thesis focuses on the topic of piano accompaniment, which is an essential and beautiful part of piano playing. This field demands from the pianist a specific approach, which is a subject and core of many study programmes throughout the world. The aim of the first part of this thesis is to map the evolution as well as the current state of knowledge in the field of piano accompaniment using scientific literature on the subject as well as curricula of study programmes obtained from universities in central Europe, where piano accompaniment is taught as a major study course. A strong correlation has been established based on this research between theory in scientific literature on the subject and the current practice of piano accompaniment education in central Europe. The aim of the second part of this thesis is to expand further the level of knowledge in scientific literature, which is insufficient mainly in the accompaniment of solo musical instruments. For this reason, the second part of the thesis focuses on the specific problems in piano accompaniment of musical instrument groups, i.e. string instruments, woodwind instruments and brass instruments. For these three groups case studies have been created, which examine the specific characteristics of the musical instruments in relation to piano...
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ORCHESTRAL WORKS OF WOJCIECH KILAR FOCUSING ON ORAWA
Erlebachová, Marie ; FARKAČ, Hynek (advisor) ; BOGUNIA, Stanislav (referee)
This thesis is focused on the orchestral works of the Polish music composer Wojciech Kilar and mainly on his composition which is called Orawa. The first part of the thesis is devoted to the personality of the author and his creative period. The second part deals with all the purely orchestral compositions of Wojciech Kilar, with the works Choralvorspiel, Générique, Kościelec 1909, Krzesany, Mała uwertura, Przygrywka i kolęda, Ricordanza per archi, Riff 62, Springfield Sonnet, III. Symphony "September Symphony" and Uwertura uroczysta. The last and the main part of the thesis deals with the composition called Orawa. There is not only the inspiration and the circumstances under which the piece was composed but also analysis of form, harmony and the dynamic form. There are also enclosed graphs showing the texture, form, harmony and higher-order rhythm of the composition.
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Instrumental concerts of Bohuslav Martinů
Shuklina, Valentina ; Dohnányi, Oliver (advisor) ; Dohnányi, Oliver (advisor) ; Bogunia, Stanislav (referee)
In my dissertation " Instrumental concerts of B. Martinů" I was trying to make a transparent and particular list and analyse of his concerts.During working on this thema I was particulary focused on the genesis of these pieces, their authentic interprets, who comissioned the concerts. I was trying also to find the interesting moments in the life way of each of them - premieres, publishing, connecting with other pieces of Martinů. In the chapter " Concerts" I made a summary of the important elements, that are important for instrumentál concerts of Martinů. In the section " Interpretation" I was trying to have a look at the problematical moments in the interpretations of the concerts. Also, gaved the resume of my own exirience from the rehearseles of Rhapsody - Concerto for viola and orchestra, that I prepeared for my bachelor concert.
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