Home > Search Results: Šrajer, Martin
Search:
Search Tips :: Advanced Search
Search collections:
Sort by: Display results: Output format:
National Repository of Grey Literature 3 records found  Search took 0.00 seconds. 
The first gore scenes in the American mainstream cinema
 Šrajer, Martin ; Čeněk, David (advisor) ; Přádná, Stanislava (referee)
The Bachelor's Thesis The First Gore Scenes in the American Mainstream Cinema analyses the cinematography of the USA in the sixties through the topic of film violence. Its primary concern are explicitly violent scenes classified as "gore". Their emergence was connected with deeper social and industrial context, shaped since the end of the Second World War. The goal of the work is to describe factors which were crucial for the shift to a more graphical depiction of film violence and to present how these factors influenced Bonnie and Clyde and The Wild Bunch, two movies chosen for case studies.
Detailed record
The Portrayal of Czech Society in Petr Schulhoff's Film Comedies of the Normalization Era
 Šrajer, Martin ; Přádná, Stanislava (advisor) ; Klimeš, Ivan (referee)
Submitted thesis The Portrayal of Czech Society in Petr Schulhoff's Film Comedies of the Normalization Era analyses the cinematography of the Czechoslovak Republic in the seventies and the eighties through the topic of social a ideological values which they present. Its primary concern is the question what are selected movies saying about Czechoslovak social reality of that time and which instruments of semiotic mediations are used for this purpose. The main assumption of the work is that also escapist entertainment described the era, setting and characters according to norms dictated by the communist government and thus help to stabilize the system.
Detailed record
The first gore scenes in the American mainstream cinema
 Šrajer, Martin ; Čeněk, David (advisor) ; Přádná, Stanislava (referee)
The Bachelor's Thesis The First Gore Scenes in the American Mainstream Cinema analyses the cinematography of the USA in the sixties through the topic of film violence. Its primary concern are explicitly violent scenes classified as "gore". Their emergence was connected with deeper social and industrial context, shaped since the end of the Second World War. The goal of the work is to describe factors which were crucial for the shift to a more graphical depiction of film violence and to present how these factors influenced Bonnie and Clyde and The Wild Bunch, two movies chosen for case studies.
Detailed record

See also: similar author names
2 Šrajer, Michal
Interested in being notified about new results for this query?
Subscribe to the RSS feed.
Digital Repository :: Search :: Submit :: Personalize :: Help
Powered by Invenio v1.1.2
Maintained by admin.invenio@techlib.cz
This site is also available in the following languages:
Česky  English