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The Relationship Between Theology and Poetry In Dorothee Sölle
Šipka, Magdaléna ; Kočandrle Bauer, Kateřina (advisor) ; Štampach, Ivan (referee)
This dissertation examines the poetry of Dorothee Sölle, particularly her seven books of collected poems - Meditationen & Gebrauchstexte, Revolutionäre geduld, Fliegen lernen, Spiel doch von brot und rosen, Verrückt nach licht, Zivil und ungehörsam, Loben ohne lügen. At least two poems from each book are chosen for analysis based on the theological concept they express. It thus attempts to cover most of the concepts Sölle elaborates upon in her works. The second part of the thesis then focuses on the use of biblical passages in Dorothee Sölle's poetry, offering to view them in three subject cathegories based on her ways of working with them. Those are 1) 2) Re-telling the Bible, and 3) Contemplating upon the passages themselves. It further examines the synthesis of religious and social topics throughout her works, again suggesting to divide them into 1) Contemporary 2) Historical, and 3) Stuctural, based on the nature of the social topics portrayed in them. The thesis also explores Sölle's depiction of God, concluding that Sölle sees God in her poems not as a governing, dominating entity, but rather as a co-creator, God weeping and compassionate with the world. Sölle sees this image of God's empathy and involvement with man as an incentive for the man to become the same, to act similarly.
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The Relationship Between Theology and Poetry In Dorothee Sölle
Šipka, Magdaléna ; Kočandrle Bauer, Kateřina (advisor) ; Štampach, Ivan (referee)
This dissertation examines the poetry of Dorothee Sölle, particularly her seven books of collected poems - Meditationen & Gebrauchstexte, Revolutionäre geduld, Fliegen lernen, Spiel doch von brot und rosen, Verrückt nach licht, Zivil und ungehörsam, Loben ohne lügen. At least two poems from each book are chosen for analysis based on the theological concept they express. It thus attempts to cover most of the concepts Sölle elaborates upon in her works. The second part of the thesis then focuses on the use of biblical passages in Dorothee Sölle's poetry, offering to view them in three subject cathegories based on her ways of working with them. Those are 1) 2) Re-telling the Bible, and 3) Contemplating upon the passages themselves. It further examines the synthesis of religious and social topics throughout her works, again suggesting to divide them into 1) Contemporary 2) Historical, and 3) Stuctural, based on the nature of the social topics portrayed in them. The thesis also explores Sölle's depiction of God, concluding that Sölle sees God in her poems not as a governing, dominating entity, but rather as a co-creator, God weeping and compassionate with the world. Sölle sees this image of God's empathy and involvement with man as an incentive for the man to become the same, to act similarly.
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Theology of Hildegarda of Bingen
ŠIPKA, Magdaléna
Dissertation work 'Theology of Hildegard von Bingen' introduces theology of this medieval abatyss, teacher, preacher and holy woman. First part of this work is a summary of Hildegard's life and it also outlines the nature of her work. It is followed by explanation of Hildegard von Bingen's position as a female theologist. Further, the work offers an overview of intepretations of Hildegard's theology in the works of great theologians interested in mysticism of twentieth century. Namely the legacy of Hildegard von Bingen in the works of Evellin Underhill, Dorothee Soelle and Matthew Fox. To understand Hildegard's theology it is vital to understand her theological method and the way her visionary works are constructed. Therefore next chapter deals with Hildegard von Bingen as a mystic and her use of knowledge and experience as a source of her mystical visions. Last part is about Hildegard's theology itself. Her possitive cosmology, mariology, ethics, soteriology and all above her theology of creation.
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