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Felix Mendelssohn Bartholdy: Elias
Hasmanová, Petra ; Valášek, Marek (referee) ; Stříteská, Leona (advisor)
Theme of this diploma work is Felix Mendelssohn Bartholdy: Elijah. Introductory chapter is dedicated to a composer Felix Mendelssohn Bartholdy and his biography. This oratorio Elijah is lined up to a wide context of composer`s production. Succesive chapter "Libretto" tells a story about prophet Elijah and refer to relevant chapters the First and the Second Kings in the Old Testament which contents this story. Common characterization formal part of oratorio Elijah sets out chapter precede fundamental chapter "Analysis oratorio Elijah". Analysis of each oratorio parts are pursued mainly from point of view both harmony musical express and text. This diploma work is closed by chapter contains small notes concerning interpretation problems
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The a capella Compositions of Antonín Dvořák
Klárová, Barbora ; Valášek, Marek (advisor) ; Veverková, Jana (referee)
As a conclusion of this work I will try to sum up the achieved information. The complete list of the compositions belonging to the field of study could be assessed as the first success together with the details of description. Another success was the literal tracing of the newspaper articles concerning the announcements of concerts as well as reviews of those concerts in the then papers. The analyses of the compositions (see chapter No. 5) were important for the deeper insight into the topic; and an interestingly varied perspective of the problems was offered by the special questionnaire (see chapter No. 9). At the beginning of this study I set a goal of reaching a certain resuscitation of the works, their summary and bringing their charm nearer to broad audience. The synoptic list of the compositions is to be found not only within the chapter No. 3 and 4 but also No. 8, where there appear the experts' opinions concerning these works often revealing some of the backstage details. Undoubtedly, chapter No. 5 dealing with the analysis of works was a further revelation of the captivating beauty of those works. Such a detailed analysis at the same time helps the audience get a certain insight into the structure of the compositions and thus indirectly looks "over the shoulder" of the composer himself. The...
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