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Reicha's conception of the counterpoint in the context of this music theoretical discipline
Havlíček, Vít ; HAVLÍK, Jaromír (advisor) ; Freemanová, Michaela (referee)
The subject of this dissertation is the conception of the counterpoint by Antonín Rejcha. Rejcha was working on his conception systematically all of his life and he defined it in his two treatises: Ueber das neue Fugensystem and in several parts of Traité de haute composition musicale. In this dissertation, i'm focusing on the second treatise. Besides of detailed commentary of Rejcha's thoughts, i'm trying to put them in the context of his predecessors, contemporaries and succesors, by which i'm reflecting importance of Rejcha's ideas in the field of counterpoint.
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The Nurenberg music instruments in Bohemia
Freemanová, Michaela
For centuries, Nuremberg was an important centre of music instrument production. The most important set of 16th century Nuremberg instruments, surviving in the Bohemian Lands, belonged originally to the Rožmberk family; in 1862 it became part of Prague's National Museum collections.
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The Socioeconomic Animation Strategy and Methods of the Anthony Philip Heinrich´s Music Work
Farský, Pavel ; Patočka, Jiří (advisor) ; Freemanová, Michaela (referee)
Animation of music heritage is a process, incorporating partly forgotten music work back to the cultural life of the society. The aim of the animation is to get back the music work into the current life. The idea is creation of the animation strategy, which lies insights in musiocological and economical views. The music work of Anthony Philip Heinrich is a suitable example to create the conception, methods and processes of the practical animation strategy. The personality of this composer, comming from the Bohemia on the edge of the 18th and 19th century, became famous in the United States as a musician, composer and organiser of the musical life. Although his life and work are wellknown in the United States, it si not the case of the Czech Republic. The awareness of Heinrich's life and work is relatively low in the Czech society due to distortions of culture after World War II. The knowledge of his work is restricted in the community of the musicologists, nowadays. The composer is not forgotten, however, his life deserves a comeback to the Czech music life. This thesis is a case study providing the animation strategy of the A. P. Heinrich's music work. The application of such a case study will contribute to incorporation of a partly forgotten composer into the Czech concert life and particularly into the cultural economics.
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The Carousel
Freemanová, Michaela
In the 19th century Prague, numerous performances and concerts to the benefit of the charities and hospitals were organized; among the most interesting ones counted the horse carousels accompanied by music, arranged by the nobility.
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