National Repository of Grey Literature 71 records found  beginprevious62 - 71  jump to record: Search took 0.01 seconds. 
Memory
Baranová, Markéta ; Klánský, Ivan (advisor) ; Langer, Miroslav (referee) ; Bilinská, Kvitoslava (referee)
This Bachelor´s work is dealing with a memory, types of memory, it´s processes and functions. It is also dealing with a problem of musical memory and pianist´s memorization.
Occupational disorders related to piano playing
Lukášová, Dorota ; Malý, František (advisor) ; Krajný, Boris (referee) ; Klánský, Ivan (referee)
The present dissertation is study of injuries and other occupational disorders related to piano playing. It will described anathomy andfysiology of pianist´s hands. The symptoms of these ailments will be described and the causes investigated. Pianist´s problems often appear siple but, as I will try to show, they may have complex ramifications and be of different origins. Various therapies and treatments will be presented.
A Brief History of Improvisation
Fišl, Martin ; Leichner, Emil (advisor) ; Klánský, Ivan (referee) ; Šimonková, Dagmar (referee)
I have devoted my thesis to the subject of musical piano improvisation. The introduction explains the concept of improvisation. The next important point of this thesis is a brief history of improvisation from the odest cultures to early Romanticism. The main focus of the work is based around interviews with living piano improvisers who perform their art whether professionally on concert podiums or for their own use at home.
CTIRAD KOHOUTEK - THE LIFE OF A COMPOSER
Böhmová, Veronika ; Klánský, Ivan (advisor) ; Bilinská, Kvitoslava (referee)
The thesis explores the musical personality of Ctirad Kohoutek. His childhood, adolescence, and years of study are covered as well as his time as professor at JAMU and HAMU and as director of the Czech Philharmonic Orchestra. He is portrayed as an astonishing and humorous person who has striven to gain perspective and distance throughout his life, which is illustrated by memories of some of his students (Prof. Otomar Kvěch, Prof. Stanislav Hochel, Prof. Radko Tichavský and Prof. Jiří Churáček) at the end of the text. Apart from critiques and art awards, the annexes list all Kohoutek?s works published to date. (That is because he still is a very active composer).
The Ravel´s solo piano compositions
Nedorostová, Klára ; Langer, Miroslav (advisor) ; Langer, Miroslav (advisor) ; Klánský, Ivan (referee)
I focused on Ravel´s piano opus in my work, on solo compositions to be specific. I proceed with the description of the compositions chronologically, according to the year of their orogin starting with Ravel´s early production to his master pieces. Sonatina is described in more details in its own chapter. At the beginning of the thesis I shortly focus on aothor´s life, the next chapter describes a brief survey of the situation of the second half of 19th century and of the beginning of 20th century, especially of the music word and further I continue with the description of the above mentioned pieces for a piano for both-hands performing.
Bohuslav Martinů: Fantazie and Tosccata and Sonata No. 1
Kahánek, Ivo ; Klánský, Ivan (advisor) ; Langer, Miroslav (referee) ; Střelcová, Stanislava (referee)
Formal and interpretional analysis against background of works for solo piano.
The complete solo and chamber piano works of Leoš Janáček
Pěchočová, Jaroslava ; Moravec, Ivan (advisor) ; Klánský, Ivan (referee) ; Báchorek, Milan (referee)
Janacek´s artistic growth and possible influence of other composers on his work are discussed in the fuirst chapter. The second chapter reviews the fundamental structural components, style and expressiveness of Janacek´s piano compositions.
Ludwig van Beethoven : Piano Concert no.4, G Major, op.58
Šestáková, Magdaléna ; Lapšanský, Marian (advisor) ; Pěchočová, Jaroslava (referee) ; Klánský, Ivan (referee)
I have chosen for my written exam the work on Piano concert G major of Ludwig van Beethoven. I have been trying to look in to the matter of the whole of the concert. Ar first part of my work study seeks to show Beethovens concert compositions. At second part of my work I have been trying to talk in detail about this entire phenomenal concert. The last part of my work is meant to be the summary of the whole of the previous study.
Music Department - Grammar school of Jan Neruda
Malá, Michaela ; Klánský, Ivan (advisor) ; Vlasáková, Alena (referee)
This work deals with a study programme at the Grammar school of Jan Neruda - classes with a music direction, which has started almost fourteen years ago. This work makes readers acquainted with this form of education and the fields of study at this school. It also addresses the difficulties beeing put on students and the posibillities beeing given to young people who want to be educated in music art. You can read about the history and what brought about this programme as well as understand how succesfull students are when they try to do an exam to universities focused on music. The paper talks deeply about daily life at Grammar School of Jan Neruda. It also deals with the question; what type of student is this shool the best for? It is based on the experiences of the writer, Michaela Malá, who spent eight years at this school.
Daniel Forró : The Life and Contribution
Uhlík, Jakub ; Klánský, Ivan (advisor) ; Langer, Miroslav (referee) ; Leichner, Emil (referee)
I would like to introduce one big "renaissance" person. Daniel Forró is a polyglot, top of the world in field of MIDI, great keyboard player and very successful composer . Since Forró lives in Japan, it is important to remember him in Czech technical fields. I would like to introduce a digest of Forro´s work and some of his theses about a music of 21th Century. He is also a man with large ideas in various fields of knowledge. That is why this composition would introduce Forró to potential readers as not only an expert but also as a human being.

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