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Eugéne Ysaye
Ambroš, Miroslav ; Štraus, Ivan (advisor) ; Štraus, Ivan (advisor) ; Tomášek, Jiří (referee) ; Pazdera, Jindřich (referee)
In my work, I am treating of life and task Belgian violinist and composer Eugéne Ysaye. My work is divided to these parts: 1) Introduction, 2) Life´and creativ way of artist, 3) Composition legacy of Eugene Ysaye, 4) Interpretation contribution of Eugéne Ysaye, 5) End, 6) List of composition Eugene Ysaye, 7) Applied literature
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Max Bruch - Violin and chamber works
Panochová, Veronika ; Štraus, Ivan (advisor) ; Štraus, Ivan (advisor) ; Hůla, Pavel (referee) ; Pazdera, Jindřich (referee)
In this Bachelor theses we can find a brief biography and a view of works of the german composer Max Bruch, with emphases on his violin and chamber works. This theses shows the circumstances and the details of compositions. It shows Bruchs´life and tries to find the strogest influences on the composerś work .Last but not least, it tries to find the reason why Max Bruch was so little accounted composer.
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Karel Hoffmann - Violonist´s life and artistic way
Lukš, Stanislav ; Pazdera, Jindřich (advisor) ; Pazdera, Jindřich (advisor) ; Štraus, Ivan (referee) ; Čepický, Leoš (referee)
Author of this thesis to enlarge about life of Karel Hoffmann, who considerably brought fame to Czech quartet tradition and music at all. This thesis is aimed primary to personality of Karel Hoffmann, first violinist of The Czech Quartet, in contradistinction of majority of currentliterature. It enters up mainly his non-quartet activities and also his life destiny. Author pursues to put in context important Hoffmann´s life matters and major events of development of The Czech Quartet. Writer would like to offer new view of known facts in the course of time and pay a tribute to Krel Hoffmann and his founding contribution for Czech musical art as well.
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Rodion Schedrin - creation for string instruments
Aslamas, Alexey ; Pazdera, Jindřich (advisor) ; Štraus, Ivan (referee) ; Tomášek, Jiří (referee)
In the first part of my bachelor work , I have brought in the Rodion Shchedrin facts of his biography.Because it is real hard to understand his personality and especialy his composing style without it. The most characteristic trait of Shchedrins music is his ?russianhood? ? russian themes, inspirations of russion culture, coutryside, russian folk music...
In the second part of my work i have decided to analize , compare theese pieces for string instruments ? means above all ? Echo Sonata , Concerts for solo string instruments ( Sotto voce concerto for violoncello. Concerto cantabile for violin, Concerto dolce for viola).
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Josef Vlach like a person of czech music.
Jírovcová, Anna ; Messiereur, Petr (advisor) ; Messiereur, Petr (advisor) ; Tomášek, Jiří (referee) ; Pazdera, Jindřich (referee)
This work is concerned with the life and the artistic work of the Czech violinist and conductor Josef Vlach. He was born on 8th June, in Ratměřice in central Bohemia, into the family of a butcher and amateur musician. His father and his brother were also his first music teacher. he nerolled for a course at the Prague Conservatory in 1938, to study with St. Novák , J. Micka and J. Šlajs. From 1946 - 48 he was asistent leader in the Czech Chamber Orchestra of V. Talich. Following the politically - motivated ouster of V. Talich from the orchestra's top post, the ensemble voluntarily disbanded. In 1947 Vlach completed his conservatory studies and pursued his schooling at the Prague Academy of Music, with J.Feld and J.Pekelský. In 1950 he formed Vlach Quartet, before long scoring major thriumphs at home internationally - including notably first price from the quartet competition of Liege, Belgium , in 1955. In the course of its existence, the ensemble was a regular recording studio feature ( over 160 titles), and until the termination of its work in 1976 appeared on the world's foremost concert platforms . In 1957 J.Vlach re-launched the Czech Chamber Orchestra, whose formidable artistic standard soon earned it invitations to prestigious festivals ( Osaka, Salzburg and others) and concert halls of several contonents, as well as collaboration with an impressive gallery off prominent soloists ( J.Suk, H.szeryng, L.Kogan, I.Moravec) In 1963 J.Vlach made his conducting debut with the Czech Philharmonic Orchestra . From 1968 he devoted part of his time to teaching at the Prague Academy of Music. In 1981 he took over as artistic director of the Suk Chamber Orchestra, and st the same time he began to work with the Pardubice Chamber Philharmonic. He died on 17th October, 1988 ,in Swedwn, a country which became his second homeland , and where he had frequently performed and imparted his skills and knowledge as a teacher..
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Leoš Janáček: Kvartetto II ?Intimate letters" work and his expression
Mikeš, Jan ; Tomášek, Jiří (advisor) ; Tomášek, Jiří (advisor) ; Štraus, Ivan (referee) ; Pazdera, Jindřich (referee)
Second string quartet was written in the highest creative period of Janáček´s output. It was written 1928 few month before composer´s death. It describes feelings and passion of love to Kamila Stösslová ( Janáček´s gerlfriend). First interpret of this work was The Maravian quartet.Second string quartet belongs to the best of works of 20. century written for string quartet.It accomplishes principles of modality, folk elements, tectonic etc.It wasn´t published until 1938. Smetana, Janáček and Vlach quartets are our chief ensembles. We can admire their interpretative art from fifties of 20.century. My work also compares recordings of Smetana quartet from 1976, vlach quartet from 1969 and Janáček quartet from 1963.These recordings are demonstrations of high interpretative art of our prominent quartet ensembles. Smetana quartet stand out at excellent interplay, tuning, intonation, sence for whole buiding of phrases, Janáček quartet at compactness of the sound, elaborations of details, long sites and Vlach quartet at accomplished sensibility for colours of sound and mood.
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Fritz Kreisler - Life and creative way
Dvorská, Eliška ; Pazdera, Jindřich (advisor) ; Pazdera, Jindřich (advisor) ; Štraus, Ivan (referee) ; Messiereur, Petr (referee)
My bachelor thesis about Fritz Kreisler is divided into four chapters.First chapter brings Kreisler's biography, includes his childhood, first steps in his violin playing,his personal life and his twilight. In second chapter im trying to explaine Kreisler's music personality, his violin style and his interpretation. Especially his opinions about violin practicing are extremely interesting.Third chapter talks about Fritz Kreisler as a composer.Im trying to bring an explanation about works from his " Klasische manuskripte".Last chapter is dedicaded to his book "The war story of a violinist". Kreisler describes there his memories from the war. This book says maybe nothing about music, however, it is very important and very emotional part of his life.
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