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Music as the servant, partner and boss of puppetry performance
Račková, Dana ; Krofta, Josef (advisor) ; Šrámek, Vratislav (advisor) ; Klíma, Miloslav (referee)
The work is a précis of general knowledge about the problem of stage music in the theatre and subsequent subjective view of the given problem with the accent on puppetry theatre. Authoress, on one side as a director on the other side as a theatre-goer, is trying, on the basis of acquired theoretical informations, to organize her own experience with using the stage music as a part of a sound component of the puppetry theatre. Work piece is the study of few musically interesting moments of the authoresses creative work history that is concerned especially in puppetry theatre and partly radio. Based on this chosen examples she is trying to deduce the rules that would be taken in consideration in her creative work as general. Subject of the work is not the sound component generally but stage music as its member. She examines its functions and roles during the creative process and result of the single staging too. She takes a think of concrete examples, when the stage music (so do whole sound component) is superior, secondary or equal to the other components (visual, actor´s...).
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The Czech Musical
Popelková, Barbora ; Neumann, Julius (advisor) ; Šrámek, Vratislav (referee)
In this thesis, I am attempting to look into the development of the Czech musical, especially from its early rocketing start in the 1990s up to the present. To do so, I had to define musical as a genre, its roots and its relationship to operetta it´s so often being linked and compared to.
I try to answer the questions of what the new things musical brought to theatre operetion in the country, whether the genre still stands a chance to free itself from purely commercial sphere, and what artistic ambition the musical has in Czech environment.
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