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Alfréd Radok's adaptations for the "laterna magika" principle
Šmídtová, Lenka ; Pavlovský, Petr (referee) ; Stehlíková, Eva (advisor)
Czech theater director Alfred Radok (1914-1976) was always temped by confronting several layers of meaning in one single work of art. On theater he used different scenic spaces at once - in e.g. his production of Offenbach's opera Hoffman's Tales (Velka opera 5. kvetna IThe Great May 5th Opera/, 1946) he combined two spaces which symbolized the two worlds of Hoffman's fantasy. The true character of these worlds was not only formed by the stage design but also by acting. When transiting from one space to the other the actors changed their gestures, their body language, the way they walked, etc. A similar principle was applied in Verdi's Rigoletto (Velka opera 5. kvetna IThe Great May 5th Operal, 1947). In this production the singers were moving inbetween two different worlds - one being represented by a ceremonial opening night of this performance in Teatro La Fenice, while the second by the theater backstage which unveiled the reverse side of fame (scene-shifters were preparing the change of the upcoming scene, one singer was flirting around with the dancers, prop-woman was knitting etc.). This specific technique of totally diverse realities medley became the basis for Radok's film debut Daleka cesta IFar Away Journey/ (1949). A portrayal of a life story of a mixed marriage during the Second World War is...
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The character of St. Wenceslas in Czech drama of 19th and 20th century
Pulicarová, Irena ; Hořínek, Zdeněk (advisor) ; Stehlíková, Eva (referee)
Záměrem této práce je shromáždit informace o dramatech, zobrazujících sv. Václava, analyzovat je a ukázat, jak byla postava tohoto muže jako dramatická osoba v uvedených dílech koncipována. Zároveň považuji za užitečné promluvit o jeho obrazu vycházejícím z historických pramenů, zmínit, jak chápalo jeho postavu dějepisectví 19. a počátku 20. století a krátce naznačit i pohled současných českých historiků na tuto osobnost. Cenná budou jistě i fakta o politických a společenských poměrech Václavovy doby, z nichž mnohá nebyla některým dramatikům známa nebo jimi byla ignorována. Docházelo tedy nejednou ke značným -záměrným či nechtěným - zkreslením popisu společenské i politické situace v zemi v tomto období . Ovšem nedostatek ověřitelných faktů o životě a činech knížete Václava naopak poskytl nemalý prostor fantazii autoru.
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Theatre school system in our country till 1945
Davidová, Iveta ; Císař, Jan (advisor) ; Stehlíková, Eva (referee) ; Hyvnar, Jan (referee) ; Sílová, Zuzana (referee)
The main topic of my thesis deals with the birth and the follow-up progress of the theatre school system and the pedagogy of dramatic art in our country from the beginning till 1945. It is based on the Music Theatre Department of Prague Conservatory, but it does not also neglect the Music Theatre Department of Brno Conservatoire, the various private theatre schools, the theatre companies and associations, which employed the theatre youth and the pupils of both Music Theatre Departments during 2nd world war, especially.
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