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Hidden aspects of the directing work
Šiktanc, David ; KORČÁK, Jakub (advisor) ; VOSTRÝ, Jaroslav (referee)
This thesis called Hidden aspects of the directing work deals with thepreparation process of the production, with the set of decisions, which (by theauthor of the thesis) director has to make before the process of rehearsing willbegin. Although these decisions remain invisible to the audience, however, affect all components which are involved in the final form of production.
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ADAPTATION OF NONDRAMATIC THEME AND DEVISED DRAMATURGY
Nováková, Marie ; ULLRICHOVÁ, Daria (advisor) ; KORČÁK, Jakub (referee)
This master?s thesis deals with the difference between interpretative and devised dramaturgy. It defines the term script and describes possible methods of creating a script; the authoress mentions examples from her own experience and from history and presents of the Czech professional and amateur theater. In the second part of the text the authoress analyses inscenations Deník 1959-1974 and Golem, Štvanice, stemming from nondramatic theme; the authoress cooperates on these inscenations as script author and dramaturgist. She describes her own procedures while working on the adaptation of diarial and novelistic draft and explains the role of dramaturgist on two strongly different inscenations.
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Macbeth
Podara, Eleni ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
Tato práce dokumentuje Scénická a kostýmní procesu navrhování pro výrobu divadelním představení Shakespearovy hry Macbeth jako vyrobené Pražského shakespearovské společnosti.Výroba byla provedena v Divadle Kolowrat, od 07.11.2013 do 22.listopadu 2013. Navíc produkce cestoval do Houstonu v Texasu v Rice Village divadle Main Street Theater společnosti. Je tam hráli od 27. února do 9. března 2014. Tato práce zahrnuje analýzu hry a postavy a popisuje podrobně proces návrhu a provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu jsou k dispozici.
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J.P.Sartre´s the Flies
Soulioti, Maria - Ioanna ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
This thesis provides a written record of the oveall stage design process, an analysis of the process and results that ensued from J.p.Satreś The Fliies. Varous observations about contemporary society combined with Satreś theories on Existentialism giving the necessary backgournd for the design aspect of my work. It includes my personal analys of the play throughout all the major dramatic situations along with sketches and photographs providing details on my final design..
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THE ACTOR-DIRECTOR COOPERATION ON CREATION OF DRAMATIC CHARACTER
Šanda, Václav ; TÖPFER, Tomáš (advisor) ; KORČÁK, Jakub (referee)
In my thesis I would like to describe the relationship between the two of the most cardinal professions that take part on the creation of a theatre production. A director is the person who creates and influences the most the idea, thoughts and genre of the production; and an actor is the one who embodies all of this on stage. I want to try to clearly demonstrate difficulties or, in the other hand, inspirational sources, which the actor is dealing with during creation of a role, depending and changing in relation with the director. As a basis of this work I chose my personal experience with two directors, whose stance during the work and relation to the actor is strongly different. First of them is Ladislav Smoček, director and playwright of Cinoherni klub. Then I would like to mention principles of cooperation with director Pavel Khek. In the first part of my thesis I want to make brief insight into history of direction and try to describe basic evolution of actor-director relationship. My goal is not to present comprehensive survey of direction history. My goal is to refer to different approaches and changes in actor-director cooperation.
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Richard Wagner´s Parsifal
Lundius, Janna ; DUŠEK, Jan (advisor) ; KORČÁK, Jakub (referee)
The purpose of this thesis is to present a context and background to thepractical design aspect of my work. I considered this project to be anexperiential journey in search of a way to make Wagner's Parsifal relevantand interesting in relation to my own life and personal sensibilities. My aimwas to use the music as my guide and my hope was to reach a scenographicsolution by following my intuition. This project has been an important step inmy development as an artist and designer and I feel it has strengthened thebond between my conscious and subconscious mind, giving me theconfidence to trust my feelings and harness them to come up with innovativeinterpretations translated into inventive designs
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Theatre and fachidiotism
Rut, Adam ; KORČÁK, Jakub (advisor) ; ŠIKTANCOVÁ, Jaroslava (referee)
The thesis Theatre and Fachidiotism deals with the issue of profession blindness in the
context of theatre. It follows the topic of taste, emotion and craft. It also contains the
reflection of rehearsing several stage plays and one residency. The thesis as well follows the
question in what circumstances makes sense to do theatre. The author works on the
assumption that searching for the sense is the best defence against the blindness from
discourse in your profession. He is trying to critically examine his previous directorial
activities as well as the conditions and surroundings, in which he worked. He is aware of the
fact that on one hand we are threatened by stagnation in purely workmanlike and long ago
dehumanised attitude to theatre, chaos and effort to define ourselves regardless of the cost on
the other hand.
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The Determinants of Acting? relaxation, reflection
Frösslová, Markéta ; KORČÁK, Jakub (advisor) ; HLAVÁČOVÁ, Jana (referee)
The Thesis describes the determinants of acting that I experienced during my studies at DAMU and in my following career. Specially is described the director?s character as one as a main determinant which affects the actor?s progression. The communication as a general determinant is set to be the one which influences the cooperation between actor and director the most. Own selfreflexion is treated as well.
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Michael Chekhov's Actor's Technique
Vavroch, Jaromír ; VINAŘ, Josef (advisor) ; KORČÁK, Jakub (referee)
The thesis deals with Michael Chekhov's actor's technique. It stresses out free creation of artist based on developing of imagination, feeling of atmosphere and work with personal unconscioussness. The creation stands against analysis and reason. Inspired by Jung and Nietzsche I come to conclusion the creation's territory is the area of mythology.
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