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Creating Theatre
Hrbek, Daniel ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
In the course of the 1990s, prague treatres saw a dynamic development linked to the change of the political regime, to the emergene of a new theatre generation (the treatre trend- and poetics settrs gradually replaced),tot he conceptual and spontaneous transformation of the Prague theatre networ, and also to the changes in financing of culture in prague. As a result of this development, in the 1990s new theatr companies and theatres were established or recreated. On the other hand, other traditional theatres ceased to exist.
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Introduction do Acting
Janák, Aleš ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee) ; Císař, Jan (referee)
Leningrad., October 1993, Komsomol Community Centre at the Vasiliev Island. Rehearsals and training. Theatre Probiology. discoveries and search of the basic segments of theatre. Setting the precise border between theliving and unliving on the stage. While rehearsing and first of all while acting, we focused on finding the basic segment: when does one become an actor? We formulated certain aassociations and concluded oir own rules on the basis of the fiorst discoveries of relations between body and living immovable object and any space in which it was situated or just happend to be
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The Expression as life experience
Dočolomanský, Viliam ; Vostrý, Jaroslav (advisor) ; Hyvnar, Jan (referee) ; Gajdoš, Július (referee)
Obsahom tejto práce je reflexia praktík tvorby dvoch inscenácií súboru Farma v jeskyni, ktoré jsme vytvárali počas mojho doktorandského štúdia na DAMU pod vedením prof. Jaroslava Vostrého. Obidve incenácie vznikali na podnet základného výzkumu v zvolenom kulturnom teritoriu. Sonetom temné lásky predcházala výprava do Andalúzie, inscenácia Sclai- Emigrantova Píseň sa rodila z výpravy na východné Slovensko.
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The Brothers (Karamazovs) - The Staging in The Disk
Špinar, Daniel ; Vostrý, Jaroslav (advisor) ; Kudláčková, Jana (referee)
Title of my M. A. program thesis is the BROTHERS (KARAMAZOVS) ? THE STAGING IN THE DISK, in which, as the title says, i describe preparations and realisation of a play according to the novel of F. M. Dostojevskij in the school theatre named DISK. I dedicate the first chapter to Dostojevskij himself, I try to expose his complicated personality, and I descibe several of his life peripeties and breaking dates of his life, which significantly formed and influenced both him and his work. In the second chapter, named READING OF THE NOVEL AND ITS REFLECTION, I share my experiences from reading the novel Brothers Karamazovs, I analyse its complicated plot, and I point to the formal and content specifics of Dostojevskijs work. In this part I also try to answer the question why are his novels so compatible with theatre. I dedicate the third chapter, ADAPTATION WORK, to my thoughts, perceptions, and work progresses during writing the adaptation of Brothers (Karamazovs). In the last chapter, which name is WORK ON STAGING, I describe preparations and the whole process of work on staging of this adaptation. In particular, I describe the scenography, costumes, and scenic music, and I also touch the spot of bother of acting issues. Besides the information about this staging and fotos from performance, I also enclose the text of the adaptation Brothers (Karamazovs).
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FROM A MYTH TO A DRAMATIC TEXT
Janál, Zdeněk ; Vostrý, Jaroslav (referee)
This thesis realizes, that the theatre has a sense only if it has it's social influence. The position of the theatre is compared with the position and the principle of the myth. Every society needs an order. In the archaic times, an order was given by the myth, later by the religion, but in these times the chaos is taking the control. The theatre should help it's audience/citizens to feel the ground and to notice the essence of human life, in the same way as the myths had helped. The thesis deals with the fairy tale as one of the genres, which can be a source of education as well as the source of fun. Next part of the thesis tries to find a myth root of the dramatic character called The Little Mermaid. Water virgins, as all of the super-natural characters, have an archaic origin. If we want to understand their meaning today, we have to go back to their roots. In the end the thesis deals with the character of The Little Mermaid in the concrete adaptation of Andersen's fairy tale. The Little Mermaid is a typical fairy tale with a potentiality to influence the society. Not only the youngest audience, but also the adults. It may help them to rediscover the faith in the strength of love. The function of the myth and the fairy tale is in this case connected.
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