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Term "Organic" in the Film Terminology of S.M. Eisenstein and A. Tarkovsky
 Vlčková, Jana ; Bouda, Marek (advisor) ; Bagdasarov, Georgy (referee)
In the first part this text deals with more thorough explanation of concepts such as analogue environment, digitalization or analogue and digital code in the cultural context. For example the difference between analogue and digital abstraction. It also points out the possibility of a pure analog transmission and record, as a counterpart of of selective and examining digitalization. Via these terms the interpretation of the film starts: Eisenstein's and Tarkovsky's approaches as the example of dichotomy of two ?natural? or ?organic? ?philosophies? in film theory. Eisenstein as a representative of digitization and Tarkovsky as an advocate of an analogue approach. Thesis leads into utopian micromanifest of the organic film.
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