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Aesthetics of Periphery and Border (To Selected Aspects of Periphery and Border Phenomenon in Slovak Literature of the 20th Century in Central European Context).
Passia, Radoslav ; Chmel, Rudolf (advisor) ; Barborík, Vladimír (referee) ; Káša, Peter (referee)
Radoslav P a s s i a Aesthetics of Periphery and Border (To Selected Aspects of Periphery and Border Phenomenon in Slovak Literature of the 20th Century in Central European Context) Abstract The dissertation deals with selected aspects of periphery and border phenomenon in Slovak literature of the 20th century in Central European context. In the preliminary chapter Border the author focuses particularly on selected texts by Central European writers which are thematically set in the Eastern Carpathians. This radically multiethnic region is considered to be one of the relatively independent cultural areas of Central Europe by the author. Narrative perspectives of a stranger, outcast, migrant in combination with the themes of border and conflict between vernacular and alien are characteristic for the literary image of the Eastern Carpathian border area in the 20th century. The author looks at the way the literary appearance of this area is ideologically deformed in the works of individual authors. The writers (mainly Czech and Polish) who do not come from the Eastern Carpathian border area use characters of strangers to reflect on the relationship between the modern and the traditional. Autochthonous authors often make use of the stranger characters to depict the area's self-colonial efforts in relation to the...
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Literary Field and Literature in Early Post-war Period Taiwan ( 1945-1949)
Dluhošová, Táňa ; Lomová, Olga (advisor) ; Andrš, Dušan (referee) ; Findeisen, Raoul (referee)
Literary Field and Literature in Early Post-war Period Táiwān (1945-1949) Abstract The aim of this thesis is to analyze the literature and literary field of early post-war Táiwān (1945-49). This period, when Táiwān was politically reintegrated into China after 50 years as a Japanese colony, exerted a crucial influence on later historical events and developments. During these years, measures for the sinicization of Táiwānese society were implemented, but intellectuals also articulated views of distinctively Táiwānese as opposed to Mainland Chinese cultural features that were revivified by proponents of the Táiwānization (běntŭhuà) move- ment in the 1980s. As laid out in chapter 1, the methodology of the thesis is based on the theory of the literary field formulated by the French sociologist Pierre Bourdieu. The literary scene is understood as a structure created by relationships between various agents who aim to attain the dominant position in the field by accumulating the largest amount of symbolic capital. This is defined as prestige by Bourdieu but should be understood as a combination of prestige and political clout in the Táiwānese context, as this dissertation will argue. To occupy the do- minant position enables agents to define Táiwānese identity, culture, and literature (especially vis-à-vis China)....
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Aesthetics of Periphery and Border (To Selected Aspects of Periphery and Border Phenomenon in Slovak Literature of the 20th Century in Central European Context).
Passia, Radoslav ; Chmel, Rudolf (advisor) ; Barborík, Vladimír (referee) ; Káša, Peter (referee)
Radoslav P a s s i a Aesthetics of Periphery and Border (To Selected Aspects of Periphery and Border Phenomenon in Slovak Literature of the 20th Century in Central European Context) Abstract The dissertation deals with selected aspects of periphery and border phenomenon in Slovak literature of the 20th century in Central European context. In the preliminary chapter Border the author focuses particularly on selected texts by Central European writers which are thematically set in the Eastern Carpathians. This radically multiethnic region is considered to be one of the relatively independent cultural areas of Central Europe by the author. Narrative perspectives of a stranger, outcast, migrant in combination with the themes of border and conflict between vernacular and alien are characteristic for the literary image of the Eastern Carpathian border area in the 20th century. The author looks at the way the literary appearance of this area is ideologically deformed in the works of individual authors. The writers (mainly Czech and Polish) who do not come from the Eastern Carpathian border area use characters of strangers to reflect on the relationship between the modern and the traditional. Autochthonous authors often make use of the stranger characters to depict the area's self-colonial efforts in relation to the...
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