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The Quiet Omnipresence
Bodlák, Ondřej ; Dvořák, Vojtěch (referee) ; Mikyta, Svätopluk (advisor)
The work, entitled The Quiet Omnipresence, themes the metaphor of grid and line as representing the source elements necessary for the growth of whole forms. It relies on a study of landscape and urban scenery, its quiet ubiquitous mechanisms and processes. The jumble of lines creates a sensorially elusive monochromatic surface that the observer can encounter when looking at organic structures for longer periods, as well as industrially tuned urban compositions. It explores the relationship of order and chaos in its opposite but paradoxically mutually inexorable connotations. The work mostly relies on a specific and not uncommon type of space often right in the middle of cities – vague terrains, places forgotten and deliberately overlooked, in which banal biological processes slowly take the helm determining the direction of a seemingly random development.
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Existentialism and its conception of man
RAPČANOVÁ, Anna
The diploma thesis examines the specific work of Albert Camus and Gabriel Marcel, focusing on the question of human values. The aim is to show two forms of existential philosophy concerning human existence in their chosen dramas. The work is divided into chapters. In the first chapter we can find the basic characteristics of existentialism and its development. The second and third chapter deals with Camus' and Marcel's conception of philosophy. In these chapters will present the Camus' problem of suicide, revolt, absurd and sense of being. In the case of Marcel will be dealt with the issue of duality of being and have, relationship I-You, love, hope, death, freedom and faith. Diploma thesis results in subsequent chapters where you can find comparison existential themes in the works of authors.
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Václav Havel and Slawomir Mrozek - Theater of the Absurd behind the Iron Curtain
Laiblová Urban, Izabela ; Holý, Jiří (advisor) ; Topolová, Barbara (referee) ; Schwarz, Wolfgang (referee)
Izabela Laiblová Urban Dissertation "Václav Havel and Sławomir Mrożek - Theater of the Absurd behind the Iron Curtain" Abstract: Dissertation is devoted to the analysis of dramatic works of Václav Havel and Sławomir Mrożek in the context of the Theater of the Absurd, trying to answer the question whether it is possible to include plays of these East European writers into this literary movement. Dissertation discusses the impact of political, social and cultural situation on the entry of the Theater of the Absurd behind the Iron Curtain reflecting the perception of the trend in Czechoslovakia and Poland. It describes the key thematic areas of both authors' dramatic plays, such as the relationship between humans and the system, the individual and the group as well as type of dramatic characters. It focuses also on the language of Havel's and Mrożek's plays with its several characteristics, such as phraseology taken from the language of communist propaganda as well as combining different styles - official, administrative and others. The dissertation discusses the composition Havel's and Mrożek's with their significant differences, outlined by comparing the relationship "circle - funnel", respectively "circle - spiral". The research is focused mainly on early plays of both authors. In the case of Havel's plays...
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The concept of death in existentialist mean
NAGYOVÁ, Andrea
The main question of this work is which view existentialists philosophers have about the death. The main intentension of this work is to demonstrate the different kinds of understanding the death by individual authors. We look for the answers of the questiones, if we can find the different forms of the death. The questiones, which way authors akcept the dead in their works, or if being of the death affect their work. At the end I want to refer of the question of life after the death. If authors belived in the life after the dead or if they didn´t. The work is written with consciousness, that the death has its own secret, that is hardly to answer.
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