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The Representation of Motive of Ratcatcher of European Art and Literature
HOTOVÁ, Veronika
The ratcatcher is a mysterious piper controlling his charming pipe, which has a huge power. This ability enable him not only control the rats but even the people. As person is well known to everybody from different artistic pieces created from medieval to present time. The work marginally occupies with the historical circumstances, which likely are the cause of creation of this mysterious man, who has become the popular motive of many of composers. The main goal is to represent the motive of the ratcatcher in the European art and literature and its following comparison in the individual publications with the purpose to find out in which way was this motive developed. Simultaneously this work looks on the person of ratcatcher like an isolated foreigner.
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"I wish I were a painter." Francis Thun in the pre-March era
OUBRECHTOVÁ, Marcela
This thesis concerns a peer Francis Thun (1809-1871) who was one of the most important personalities in the public and cultural life in Bohemia from the 30s till the end of the 60s of the 19th century. Thun {--} a gifted visual artist himself - was particularly interested in the institutions connected with the visual art. The author shows where his long-life interest in the visual arts was formed. She follows his childhood, upbringing, his own artistic beginning and his studies. She particularly considers his ways around Europe and his stay in Dresden, that used to be one of the most important centres of the European Romanticism, and more than a year-long traveling around England, western Europe and Italy. The last part of this thesis deliberates František Thun{\crq}s public activities {--} mainly his work in the artistic politics and in the care of monuments. This work also follows Thun{\crq}s personal life, particularly his marriage with a burgher girl thanks to it he couldn{\crq}t inherite the fideicommissum. This biography is mainly based on personal materials {--} letters and diaries. In terms of them it attempts to show Thun{\crq}s personality and his important life moments.
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An abandoned site (A serie of wall paintings in the environs of an urban outskirts)
MALÁK, Martin
In this theoretic-practically focused diploma thesis I deal with the issue of an abandoned site and its potencial for the art creation itself. Firs I attempt to foreshow the modern aspects of the art in relation to the urban outskirts creation. I focus on the distinct graffiti phenomenon an its role within the cultural developement of the modern society. In connection with forementioned I aspire to define the phenomenon of site and space. Furthermore I adress the importance of the outskirts with reference to the environmental psychology. Afterwards I carry through a critical reflexion of the theoretical knowledge fragments and apply new findings while resolving the creative task. In the practical part of this thesis I create triptych of wall paintings in the environs of an urban outskirts on the topic of an abandoned site and consequently I carry out their explication.
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The path of the water - Land art elements in the context of urbanization of Czech countryside of Český Krumlov
NOWAK, Bohumír
This work is complementary theoretical part of my practical art project on "Path of Water". Introductory chapter is devoted to the water. I'm investigating physical properties of the water in different states of matter and particularly its movement. I even consider its place in the art. The second chapter is devoted to the development of the landscape and its changes caused by the nature and human. The third chapter deals with the meaning, origin and history of land art in the world and in Bohemia. The fourth chapter describes the most interesting places and history surrounding the village Staré Dobrkovice in which the chosen place can be found. Intentions and descriptions of implementations are dealt with in fifth chapter. In the end I summarize the development of entire project and individual parts and I evaluate individual achievements and meeting of determined criteria.
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Reality and Virtuality of Game in Postmodernism
BENEŠ, Luděk
The thesis focuses on virtuality and reality of game in history of human culture and on its recent pozition.The first chapter adresses reality and virtuality of game in traditional view definitions. The second chapter describes the evolution of culture in game since human origin to postmodernism and the evolution of game in art. The third chapter takes on the evolution and conditions of postmodern culture, and also game in postmodern art. Further it describes virtuality and reality of game and society nowadays. The fourth chapter again compares recent author's definitions of game and closes the thesis with resulting definition of virtuality and reality of postmodern game.
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Development of Cultural Properity, Upbringing for Taste and Possibility Motivation in Frame Pedagogy Free Time
KOPECKÁ, Linda
My final thesis describes ways of development of cultural properity, trainings of mind and possibilities of motivation in frame pedagogy free time specialized on a Primary School. Theoretical part contains and explains terms culture, palate (taste), elegance, arts, motivation and free time. Also specify primary school education, creative discourse, in this period and shows the use plastic art in public nursery like one of the key options of spending free time. Practical part focus on a project of plastic arts divided into creative activities realized in the public nursery of the pupils of primary school. Each activity containt detailed motivation, described procedure, conclusion and evaluation of children. This part contains also relationships and dependences between all cultural subjects such as arts, dramatization, music, and gymnastics. Explain as well the structure, application for needs of primary school. Particularity of the work of children in the age of primary school is creativity, spontaneity, unprompted action, enthusiasm, positive stance. When the children are properly instructed they cooperate with their equal, tolerate them and are very help full to each other.
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Reception and Reinterpretation of the Ancient Symbols by Early Christianity
BELATKOVÁ, Martina
This Thesis refers to ancient iconography themes and symbols, which were received by early Christian Art. Primaly, it concerns the reception of form. By means of analysing ancient content and context the paper tries to find a parallel between ancient and christian motives. In this way it intend to answer the question why a concrete theme was taken over. In case the reinterpretation is possible, the thesis offers the interpretation based on biblical theology. This volume presents motives from the Christian catacombs of Rome and also motives derivated from Roman triumph Art, dated to the first centuries.
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Motivation Towards the Visual Arts via Art Techniques in Free Time Pedagogy
TREJBALOVÁ, Martina
Motivation youth towards the visual arts via art techniques in free time pedagogy. The purpose of bachelor work was analyse by means of young people motivation to positive affinity to plastic art. Theoretic part put brain to explication basic concepts, which be related to work theme. The first chapters I explained bacis consepts, namely conception art, plastic art and aesthetics in human relation to mentioned values. In the next chapters I put mind to guestions of young people, guestions and importance of the free time. The last theme of theoretic part is motivation. Motivation in the concepts definition and motivation youth to visual art activities by means of today`s visual arts projectes. Practical part put mind to the plastic project ,,Colour sensation of music``. The purpose of the project is visual expession of subjective experience, which was induced by the auditory sensation of music. The project is specialised for young people. Now it`s harder motivate them to every activities with the visual activities. So I wanted to find one way to motivate young people to visual activity trough this project. Conclusion of bachelor work summarises knowledges and observations sequence of this visual project.
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Railway Station
PETRÁŠOVÁ, Jitka
The theoretical part of this work refers to the presence and approach to the technical element in former and current Czech art. It closely inquires into this theme in the work of the outstanding contemporary Czech artists and it also mentions the graffiti phenomenon and its influence on the present artistic production. Furthermore it explains my intention and technical method in the course of creating the practical part of the work - a cycle of six thematic paintings.
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On the Role of Man in the World (Contemplations in the Late Works of Jan Patočka)
PIZINGER, David
Annotation This work is interested in the late philosophy of Jan Patočka. The leading idea is to find basic motives in Patočka{\crq}s concept of The care of soul, and tries to make a connection to his life and social context. One of the most important expressions of the social reality is art. Jan Patočka{\crq}s continuing theme was the problem of human exsitence. How to live an authentic life. The post modern art is also interested in being authentic. The man according to Patočka is a personality determined by going out of his self and by finding this self from a different point of view. That is the question for performing arts: How to express the inside to be visible, how to make it a partner of a dialogue? Which means that Jan Patočka{\crq}s philosophy can be realized by some special kind of praxis. A praxis which is not practical as such. In the works of Jan Patočka, Being and social role play a substantial role. The problem of narration {--} a myth as a part of the process of young man{\crq}s identification and his acceptance from the society. The question of how to be a part of a society implicates another one: what are the foundations of society? What is the idea of European society? Questions concerning the heritage of Europe are {--} in anticipation {--} questions about the sense of Europe (or the European Union) today. In general, is there a possibility to live together, in any kind of human comunity? Through society he gets back to individuality with its questions. Patočka tries to ask concrete questions, expecting answers from Being itself. What is important: he doesn{\crq}t want to make a comprehensive system (following the example of Platón), he only urgently seeks the questions which can open the Being's truth. The sources: This work uses Jan Patočka`s texts from the 1970s. It compares them with texts from the field of art and tries to find their historical context.
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