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Hooligan as an object of film analysis
Volek, Jiří ; BLAŽEVIČ, Jasmina (advisor) ; Bojar, Tomáš (referee)
Final thesis reflects the preproduction and production of thesis film with the topic of radical football fans. Work defines the theme of violence in the world of rowdies and film work with them. Further analyzes not only the history of football fans, but their categorization in terms of sociology and their impact on contemporary society. Work is devoted to the history of Czech cinema, working with the motif of the football world. The reasoning at the conclusion of the thesis reflects the impact of the films on this topic at the general audience and selected subculture.
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CZECH GREEN´S 2003 - 2005 / filming life of political party
Matějková, Daniela ; JANEČEK, Vít (advisor) ; VACHEK, Karel (referee)
The aim of this diploma thesis is to create a study of my own time-lapse documentary movie
about the Green Party. It tries to grasp my own longtime relationship with the party and with
the movie aiming to find final interpretation of the facts that happened in the years 2003-
2005 in which the party was facing radical transformation. It reflects more personal
than academic interpretation of the movie and the political situation itself. It is based on
several historical film documents which try to set lights to the facts that are usually hidden to
everyday viewer.
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Digital images of the Arab Spring
Hátle, Petr ; KUBICA, Petr (advisor) ; ADLER, Rudolf (referee)
The main topic of my thesis are audiovisual images of a new sort which spread across traditional media and internet video-sharing websites during the events of Arab revolutions in 2011. This amateur footage was made by direct participants of revolution events, not by professional journalist or documentarists. In my thesis I research these video-images in the context of imaging of political violence in the history with special focus on the history of war photography and journalism. My thesis investigates the role of new media and the internet in changes of the experience of watching audiovisual footage. Last part is an effort of classification of the amateur AV images of the Arab Spring and review of their significance in the context of contemporary documentary film and journalism.
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Jonas Mekas
Hlaváčková, Hedvika ; POSPISZYL, Tomáš (advisor) ; RŮŽIČKOVÁ, Alice (referee)
The subject of this theses are the films of Lithuanian avant-garde artist, organizator and original interpreter of life, Jonas Mekas. Specifically I'm dealing with the development of his work from the complex film-diaritical sagas to video pieces presented on his web side. I'm exploaring where does he see the diference between the way he captures life and what we call documentary film, what does a reality means to him and how does he get closer to it's essence with the help of his camera. I'm observing how did the recent technical development effected his work - the arrival of video, computers and subsequently internet. I'm trying to understand where does diary-film stand in the frame of history of cinema and where is it's place in the context of the contemporary art scene.
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Audio-visual Installation
Kachtík, Petr ; Hrůza, Tomáš (referee) ; Ptáček, Jiří (advisor)
This thesis is concerned with the relationship between sound and image, their manipulation in real time. The main topic of this work is the permeation of these two elements into a single composition. I work with documentary footage witch I try compose according to the principles of VJing.
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ELEVEN FACES OF JAN GOGOL, JR.
Rendl, Jan ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
Author Jan Rendl in his thesis attempts to look at the world of ideas and educator Jan
Gogola ml. through the eleven chapters in which each chapter somehow characterizes itself by Jan Gogola ml. and each of them somehow determines its creative ideas of it through the metaphor of a football match when Jan Gogola, with its characters, movies himself a teammate, as well as defensively. It gives goals with their situations as well as occasionally digging his opponents ankles.
Jan Gogola ml. thus embodies one stage of the Department of Documentary Film at FAMU, which often stands at the intersection between teaching activities and Karel Vachek among students who applied by them during their seminars psychological methods that work must be peculiarly associated with the author of the film.
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Participatory mode in family (auto)portrait
Sobotová, Pavla ; RŮŽIČKOVÁ, Alice (advisor) ; KUBICA, Petr (referee)
The bachelor thesis titled "The participation mode in family (auto) portrait" should examine the borders and possibilities of the author's participation based on concrete films that deal with author (son/daughter) and parent relationship. The student's movies are Igor Chaun's The beatiful portrait, Vít Klusák's Vinigar, Bohdan Bláhovec's In reconstruction and my film Portrait of my dead father.
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