|
|
RECYCLING AND AUTHENTICITY OF MATERIAL IN THEATRE
Ráčková, Karolína ; SMOLÍK, Robert (advisor) ; ŽIŽKA, Tomáš (referee)
The thesis is focused on the phenomena of recycling and authenticity. At first the key terms are explained, as they are understood by the author of the thesis, and they are considered in general, as well as in the context of arts and theatre.
The following practical part is more detailed: First, the previous works of the author of the thesis are mentioned, as far as they are connected with the topic, and her long-time engagement in the given sphere is thus demonstrated. The remaining text is devoted to her work on the theme of the family: this work was similar to archaeology, and the result was finally named The House is Haunted by a Ghost. The detailed description of the whole creative process ranges from the choice of the topic, through gathering physical and non-physical material, determination of form, treatment of sound component to the final installment and its aspects. This description is made with respect to the manifestations and use of the phenomena of recycling and authenticity. The text is followed by photography documentation of the resulting installment in the appendix.
|
|
|
Theatre in Open Space
Štěpán, Jakub ; ŽIŽKA, Tomáš (advisor) ; TÄUBELOVÁ, Kristýna (referee)
In bachelor work I am presenting four theatre projects, they have one thing in common that being open space or open air. I am also looking for more things which connect my other projects which I also did at school. I am making a dictionary of foreign words and terms which are related to work in open space. Most of my work is set outside, I like to look for new locations and building my visions beyond the theater stage. Film and this world is another link to my work, I like to use film editing and visuals as a part of theater dramaturgy. Traveling (migrating) as an art style, is another link to my work, there is a lot of new technology and more when you searching and looking in other countries and meeting new people in industry.
|
|
|
Theatre of crisis
Čonková, Ivana ; PILÁTOVÁ, Jana (advisor) ; VYSKOČIL, Ivan (referee)
This paper describes and reflects the specific problematic theatrical events and art projects that I realized at the time of the socio-political crisis. In these events, I recognized the theater by participating and being involved in action. Gradually I gained experience that harbor some questions in theatrical practice.
I describe four events and two projects. The first event responded to the tragic death of deceased persons and dogs in Florence, Prague. The last project took place in the urban area of a Roma "ghetto" in Usti nad Labem. I move to different places, situations and themes. Within these sequence of events I was searching for what theater can be and how this medium can be used responsibly. I experienced how it can survive while challenged by the dangers that threatens theater routines, consumerism and banality. How do I let him fall, but appear in his power to change lives, identify and create.
|
|
|
THEATRE CONTRACTS
Hůlková, Kateřina ; SRSTKA, Jiří (advisor) ; VYSKOČIL, František (referee)
The aim of this thesis is to create a collection of the most commonly used types of theatre contracts and of their practical applications in theatre practice.
The opening passage informs the reader about legal forms applicable for theatre activities. The main part of the work analyses legal conditions related to those contract types that are most commonly applied in theatre. The final part treats the application of contract types in theatre practice. So this part refers to concrete theatre professions and the contracts types concludable with them by the theatre.
The following bachelor's thesis could become a helpful students' aid at the Department of Arts management at the Theatre Faculty of the Academy of Performing Arts in Prague ? both for study purposes and realization of new theatre projects.
|
|
| |
|
|
The Role of a Text in Dramatic Art.
DEMETER, Peter
The present BA thesis focuses on the role and the nature of a text in dramatic Arts and the relation of a dramatic text and a theater performance. Its aim is to demonstrate the place of dramatic text in the structure of dramatic Arts and important meaning of stage directions. The method of comparison is used in this BA thesis to introduce dramatic Arts in the context of czech aesthetics and semiotics of theater.
|
|
|
Guy de Maupassant playwrite
ČECHOVÁ, Monika
This thesis focuses on presenting Guy de Maupassant, a French writer of the second half of the 19th century, as a playwriter. The main objective of the thesis is to disclose the dramatic tendencies of the writer, who is primarily known for his prose, and to present all the seven completed dramatic pieces which are often neglected in favour of his more famous work. The thesis aims to showcase the nature and the position of the plays in the context of Guy de Maupassant´s whole work and their overall perception. It attempts to explain the author´s specific approach through describing the social and historical atmosphere, literary and theatre movements in the second half of the 19th century and through analysis of the plays themselves. Based on these the thesis offers a way how to fully perceive de Maupassant´s plays. Of significant importance are the selected quotations of textes of the plays. Finally the thesis presents the common signs of the plays and tries to discover the initial intention of their creation, the author´s approach to the genre and the reason why they last unknown in general.
|
|
|
THE BIRTH OF THE COMEDIAN
HOŘÍNKOVÁ, Kateřina
This thesis deals with the acting, directing and authorial personality of Vitezslav Marcik. The text was based on researches in regional and national press and sorting by that time disarranged Marcik?s archive. An important source of information was the website of Teatr Viti Marcika and also personal recollections of family and colleagues. The main part of the work is clear, chronological account of Marcik?s career in 20 chapters, in which we watch changes of the theatre´s action radius in the course of years and how its repertoire and dramaturgy developed.
|
|
|
Fantastic Library
Linc, Míla ; Hadravová, Soňa
Patří do knihovny Stmívání? Patří. Proto jsme uspořádali Krvavý valentýn. Mají knihovny kromě náročných čtenářů myslet i na milovníky "braku"? Musí. Proto pořádáme CONiáše a další setkání fanoušků scifi a fantasy. Mohou si knihovníci hrát divadlo? Proč by ne? Proto máme knihovnický divadelní soubor Vý; (čti Výstředník). A výčet tím daleko nekončí - poznejte s námi, co všechno se v Městské knihovně v Praze nebojíme provádět!
Video:  MP4
|
|
| |
guest ::
