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The painter Jan Vochoč (1865-1920) and the Balkan
Suchomelová, Marcela ; Černý, Marcel
The life oh Jan Vochoč, the czech painter can be characterized as an unfulfilled journey and a quest to find himself and his artistic idiom. In 1898-1899/1900 Jan Vochoč sojourned in Bulgaria and the Holy Mount of Athos. The artists´ stayis documented in his personal notes and correspondence written during his journey to Athos, which are currently preserved in the collection of manuscripts that form a part of the documentary and archival records housedat the Institute of Ethnology of the Czech Academy of Sciences in Prague
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Czech-Serbian Relationships in the Middle Ages. Its Research in the 20th-Century Czech Historiography
Havlíková, Lubomíra
This contribution is an analysis of the 20th-century Czech historiography reflecting the Czech-Serbian relationships in the Middle Ages. The author characterizes and evaluates the work (books and papers) of Czech scholars, historians and historians of law (C. Jireček, J. Šusta, F. Kavka, J. Spěváček, M. Paulová, J. Mikulka, L. Havlík, V. Hrochová, J. Cvetler etc.), more or less interesting in the medieval history of the relations between Serbian and Czech lands (Bohemia and Moravia), particularly in the three periods: from the 9th c. to the 11th c.(Moravian cyrillomethodian influences), from the 11th c. to the 12th c. (contacts between Serbian Uroš and Moravian Přemysl families), and in 14th century (relations between Roman emperor Charles IV and Serbian tsar Stephen Dušan).
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Russian princess M. K. Tenishev. Life and works
Jančárková, Julie
The article is devoted to the creative and cultural activity of the princess M. K. Tenishev during her emigration in Paris in the years 1905-1909. This Russian benefactress organised in Paris, London and Prague exhibitions of her own works (enamels) and of applied art which was produced in her work-rooms in Talashkin (Russia).
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Sázava monastery and Kiev Russia
Bláhová, Emilie
In the article the author evaluates some contacts between Sázava monastery and Kievan Russia during in the 11th century. She writes espcially about deposition of the relics s. Glebi into the altar of the Sázava monastery church in the year 1095, about the problem of the surviving of all the Czech Old Church Slavonic litterary works in the Russian manuscripts and about the influence of the Russian manuscripts on the liturgical texts in the Sázava monastery (cyrilic part of the Reims gospel-book as well as pattern of the Prague glagolitic fragments).
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