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Photographic post-production special techniques
Červinka, Jaroslav ; Krsek, Libor (advisor) ; Horný, Stanislav (referee)
Goal of this thesis is to present evolution of photography post-production from the very beginning and demonstrate special techniques which are used during complex photo-montage creation. Theoretical part is dedicated to history, from early examples of analogue photography manipulation and it's techniques to present day application. The second, practical part, showcases special techniques which are used in digital domain. Each method explanation includes cases of its usage and reasons for it. Techniques are explained by real-life examples which in conclusion lead to complex photographic montage. This thesis assumes that the reader knows how to use basic functions of Adobe Photoshop.
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Postmodern Czech Performances in Theory and in Practice
Etlíková, Barbora ; CÍSAŘ, Jan (advisor) ; VEDRAL, Jan (referee)
The thesis deals with the way of using the term postmodernism by the Czech-language theatre critique. In the first part I decided to discuss the thesis' subject in the context of other languages' schools of thought. I identified two main possible ways by which philosophers from abroad define the term "postmodernism" in its general meaning. In the first case (e.g. Charles Jencks) I on one hand found out that the term defined as postmodernism can be easily applied considering art -and therefore the theatre as well- but on the other hand I also found that the term itself merge with the meaning of modernism. In the second case (e.g. Jacques Derrida) I came to a conclusion that even though the definition of postmodernism does not merge with definition of modernism, it can be applied only with great difficulties in the cases of theatre and of fine art. Subsequently, I tried to illustrate the way the three approaches manifested themselves into the Czech-language discussion about postmodernism.
In the following parts of the thesis I adhered to the theatrical issues more strictly. On the basis of the analyses of two so-called postmodern theatre performances made a ground for the theoretical approach to the means of expression considered as postmodern. (The terminology I used is the one deriving from the work of Otakar Zich and from the Czech structuralism.) In the conclusion of the theatre-theoretic part of my thesis I took the view that the means of expression used in the so-called postmodern theatre productions do not differ in their very nature from the modern ones; that there are different requirements of viewer's reception in the postmodern performaces though. In the very end of my work I considered the problems that appear with the direct transfer of Jacques Derrida's philosophy to the theatre.
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