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Christmas dramas for children and teenagers in ČCE
Halamová, Anna ; Beneš, Ladislav (advisor) ; Landová, Tabita (referee)
The purpose of my diploma thesis Christmas dramas for children and teenagers in ČCE is to find out if authors of Christmas dramas in ČCE work with them as valid parts of catechetical work with children and teenagers. I decided to make analysis of some texts of Christmas theater plays, which are freely distributed in the church. First chapter tries to analyze how children relate to the work on a drama and what are the benefits of this work. Second chapter deals with theory of writing dramas for children and teenagers. Chapter three deals with analysis of two biblical texts Matt 1:18-2:23 and Luke 1:5-2:40 because they are often used as a source for Christmas dramas. Chapter four deals with analysis of three Christmas plays written by members of ČCE for congregations of ČCE. The emphasis is mainly on theological and pedagogical analysis. The conclusion of my analysis is that authors of Christmas dramas in ČCE do not work with them as valid parts of catechetical work. Key words Theatre play, children, teenagers, Christmas, age, author, message, understanding, pedagogical, theological.
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Camel through the eye of a needle 1926 and 1936 (film adaptations of the play by František Langer)
Čížkovská, Jana ; Klimeš, Ivan (advisor) ; Přádná, Stanislava (referee)
This Bachelor thesis focuses on two film adaptations of the play Camel through the eye of a needle by František Langer in Czech cinematography until 1936. These namely are the silent version directed by Karel Lamač, produced in 1926, and the sound version directed by Hugo Haas and Otakar Vávra in 1936. The first part of this work generally describes the original theatre play, its history, structure and developement of the main text. It shows, how successful this play was on Czech, European and American stages and how this treatrical success influenced distributional possibilities of the film adaptations in the following years. The second part then compares two film adpatations, describes their production background, cast, public and media reception.
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Language and style of the plays written for Jára Cimrman Theatre
Kojetínová, Martina ; Mareš, Petr (advisor) ; Lehečková, Eva (referee)
Language and style of the plays written for Jára Cimrman Theatre This magister thesis deals with language analysis of the stage plays of Jára Cimrman Theatre. The opening chapter describes general information about the theatre and it's authors as well. The thesis is divided into two parts, the theoretical part and the practical part. The theoretical part is based on results of theoretical studies of different authors, especially Bohuslav Brouk, Henri Bergson, Ladislav Dvorský and Vladimír Borecký. The practical part contains the detailed language analysis of all 15 stage plays. This diploma work analyzes which types of language comic we can find there and how much are they extended. Linguistic performances are separated on the principle of linguistics on individual linguistic branches. This diploma work also discusses mystification as a common framework for realization of all comic means. Keywords Jára Cimrman, stage play, Zdeněk Svěrák, Ladislav Smoljak, language comic, intertextuality, mystification
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Nina Sadur as a playwright
Dvořáková, Iva ; Ulbrechtová, Helena (advisor) ; Ryčlová, Ivana (referee)
The thesis deals with dramatic work of a contemporary Russian author Nina Sadur (writing since the mid-eighties). Its object is to present main features of her poetics primarily by interpretation of two selected plays - Morokob and Milenkii, ryzhenkii. The first play could be conceived as a metaphysic drama. Its analysis pays attention to two mutually connected levels - those of and of . The second play is based on an older Sadur's subject transposed from the former novel to a radio play. The thesis is concerned with the shifts of meaning caused by this transposition as well as with a critical discussion issued in 2003 and titled Who Is the Cute Little Redhead? exploring various layers of meaning of the novel/radio play. The next part summarizes the available secondary literature, specifies the focus of scholar interest, contains the essential bibliographic data of the author as well as the chronology of her dramas and it lastly mentions the issue of her subsumption under one of the literary movements appearing in Russia since the end of the seventies.
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The human ages in symbolic decoration of facades of renaissance townhouses on the Czech-Austrian border
CHALUPA, Pavel
The aim of the bachelor thesis is the catalog of the human ages in decoration of Renaisssance facades of townhouses on the Czech-Austrian border, content and comparative interpretation of selected theme. The first chapter discusses the state of research in historical and art-historical science. Next it discusses the historiography, the concept a sgraffito and the shape of Renaissance townhouses. The second chapter deals with the actual motive of human ages, symbolism and theatrical adaptation. The third chapter describes the various fronts on the Czech-Austrian border. The last chapter compares the different decorations and solve religious question of the owner. The conclusion summarizes the findings and presents opportunities for further research.
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Eug\`{e}ne Ionesco´s plays on Czech theatre stages.
KUBIŠOVÁ, Kristýna
The main theme of this thesis are stage plays of Eugene Ionesco, who was a french playwright romanian origin, on czech theatre stages. The first part is focus on the introduction of this writer and representative of absurd drama, on characteristic of stage plays played on czech territory, and finally focus on the list of professional theaters where the perfomances were stated. In the second part of this thesis there is the analysis of reaction on these productions which was written in the period press.
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Speech Acts in the Play Owners of the Keys by Milan Kundera
SVOBODA, Marek
This thesis deals with the theory of speech acts which is based mainly on analysis of speech and its function in communication. We use speech not only to convey something but to also do something, to change the state of things around us and to accomplish specific goals. Speech acts in a literary piece are then analyzed on theoretical basis, specifically in Milan Kundera's dramatic play Majitelé klíčů.
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Dramatic education in the leisure centers for mothers and children and its impact on the creativity of children
DOMINOVÁ, Lucie
This thesis deals with the influence of drama education on the creativity of a child attending leisure facilities. The first part focuses on a brief history of drama, its components and genres. The thesis also deals with a comparison of drama and drama education, theatre education and its effects on the child's personality. It describes the personality of the teacher of leisure facilities, parent and child. The practical part is focused on one of the activities practised at the Children and Youth Centre in Jindřichův Hradec - Baby Club. Baby Club focuses on activities for parents and toddlers and preschool children and allows them to productively spend their leisure time together. The thesis further describes some of the activities and their impact on children, parents and teacher. The emphasis is given on the importance of all leisure facilities and activities that support children's creativity and shape their personality
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Eug{\ezpcarka}ne Ionesco´s plays on Czech theatre stages.
KUBIŠOVÁ, Kristýna
The main theme of this thesis are stage plays of Eugene Ionesco, who was a french playwright romanian origin, on czech theatre stages. The first part is focus on the introduction of this writer and representative of absurd drama, on characteristic of stage plays played on czech territory, and finally focus on the list of professional theaters where the perfomances were stated. In the second part of this thesis there is the analysis of reaction on these productions which was written in the period press.
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