National Repository of Grey Literature 64 records found  previous11 - 20nextend  jump to record: Search took 0.01 seconds. 
The Symbolism of Colors as a Speculative-Fiction
Špundová, Veronika ; Bena, Julie (referee) ; Šrámek, Jan (advisor)
The bachelor's thesis is an existential dystopian statement of a human actor. It is an object into which the author - the creator - user - actor projects her critical vision of a globalized, yet very local world torn apart by several crises at the same time, in which she longs to break free from anthropocentrism or redefine it to more respect a wide range of other actors, on which we are largely dependent. It tries to grasp reality from a new perspective, even if such a perspective should be mere imagination, speculative fiction, even if it should deviate from the usual directions of knowledge and action to the unknown, such as the magical irrationality. Formally, the subject of the bachelor's thesis is DIY tent sewn from upcycled textile materials and embroidered with ornaments, symbols and organic drawings, which form a variety of relationships and narratives. Inside this "outdoor shrine" there is an object - a totem standing on a tripod, on which rests a smartphone, which through the application plays three videos depicting the human actor in various strange surreal situations.
Fibres from the renewable sources
Uchytilová, Markéta ; Bálková, Radka (referee) ; Kotlík, Josef (advisor)
This bachelor thesis deals with the production of textile from the environmental perspective. The aim of this work is analyzing the possibility of replacement of basic raw materials used for production of natural and synthetic fibers by using raw materials derived from renewable sources. Using fibers from renewable sources should eliminate the problem of limited availability of primary raw materials for textile fibers and reduce the amount of synthetic waste.
Silver Lining
Ručka, Svatopluk ; Klouzková, Alice (referee) ; Macháček, Mikuláš (advisor)
Silver Lining is created on the basis of the interdisciplinary research of the two disciplines of design, i.e., fashion and graphic designs. These two branches of design are viewed from the practical point of view, in which the work procedures of both the design branches, their mutual relationship, possible intersections, and real and hypothetical syntheses are examined. The potential of such a synthesis is studied by the visual language of the graphic design and fashion production using contemporary digitalized knitting technology which is applied in the bachelor’s thesis.
The bizarre sensation of real
Zacharová, Dominika ; Spáčilová Blažková, Kateřina (referee) ; Gravlejs, Ivars (advisor)
This work explores the subjective nature of reality. Our view of reality evolves with our surroundings and shapes our unique image of the world. Although a complete escape from reality seems unattainable, we try to look for moments in which we might slow down in an endless stream of events and phenomenons. One of these is the induction of relaxation, which acts as a temporary release from physical and mental stress, even if the actual escape is only temporary. By incorporating works into this space that carry with them a certain disturbing element, I seek to provoke an uncertainty or surprise in the viewers . The work creates situations that confront viewers with an unexpected experience in a seemingly relaxing environment. Which is induced by the appearance of the objects.
love rhymes with fuck you
Bražina, Jan ; Pěchouček, Michal (referee) ; Mazanec, Martin (advisor)
In my work I materialize personal experiences, memories and ideas about future life. In relation to these, I also address the heteronormativity of relationships dictated by society to young people. In my work I deal with these themes through intuitive work with textiles, where I try to express through this material my feelings, in which I tend to a domestic and peaceful background. Over the past year I have begun a project that originally titled Hydroponic Love, in which I dealt with my own failures in relationships and building a bond with inanimate objects in order to satisfy my desire for love. Through this stage I gradually developed my theme and elaborated on the idea of love that ...that can develop into a dangerous obsession. The project eventually expanded into four parts, in in which I developed several sub-themes that no longer focused on my personal desires and failures, but also the broader social context related to them.
Design of a set of used containers combining ceramics and textiles
HORATLÍKOVÁ, Lenka
This bachelor thesis deals with the non-traditional interconnection of materials in the field of ceramic design and design in general. A crucial part of the work is the treatise of foreign and Czech designers who inspire the author to create the practical part. The theoretical part of the work is the treatise on the design and the designers mentioned above. The part about ceramics where introduced readers to the necessary steps for the work of a ceramist. Last but not least part about textile, its functions and handmade textile works. The practical part documents the creation of a convolution of five vessels, in which the design, ceramics and textiles are connected at the same time. An essential factor for vessels is their functionality, which is not neglected in the creation process.
Textile in free art of 20. - 21. century
KOSTKOVÁ, Gabriela
Bachelor thesis Textil ve volném výtvarném umění 20 a 21. století is in the theoretical-practical form. The theoretical part presents a brief overview and history of fibre and textile. There are outlined the functions and effects of textile materials. It deals deeper with manual and machine textile techniques. The main part is dealing with the technique of non-woven tapestry Art protis and Aradecor in this country. Here are selected any artists from the Czech environment, who have participated in the development of free textile art since the 1930s. In this context is presented the life and work of the most important Czech textile author Antonín Kybal. In the end of the theoretical part is summarized work of the Inez Tuschnerová and Světlana Kulíšková Ruggiero. The project of the practical part of the bachelor thesis is to create sketches, swatches, and textile artifacts in the technique Nunofelting. The topic of the whole practical part is The Transformation.
Mountains of laundry
Gogolová, Eliška ; Sedlák, Michal (advisor) ; Vačkář, Adam (referee)
This bachelor thesis Mountains of Laundry aims to look into a three-way relationship among human, landscape and textile, their meanings and mutual influence. Individual chapters dedicated to the art of textile, to respecting traditions as a cultural heritage of the past and its persisting values for today's society, to the way a landscape influences human behaviour and to the actual art interpretation of Mountains of Laundry, they also attempt to depict my personal relationship to cloth. This thesis follows the phenomenon of the gradual return of a textile media into contemporary Czech art and through soft-material pieces of art of particular artists it seeks one specific denominator as well as various grasps of this field. Interviews with designer Tereza Rosalie Kladošová and artist Daniela Mikulášková reveal motivations of artists who work with textile media in applied arts as well as free arts, and they also refer to an issue of necessity to create borders between these two art forms. The way of grasping a tradition linked to a specific region or landscape refers to personal experience in the practical part. Due to the use of the blueprint technique in the artistic part of this thesis, a more detailed introduction of this negative indigo print from its history to its current use in art is also...
TRY ME!
Kopecká, Johana ; Jiroušková, Veronika Velčovská (referee) ; Tobola, Ondřej (advisor)
My bachelor project entitled "Try Me" is based on the concepts of aesthetics versus function. The project aims to create a product based on a textile material study. My emphasis is on the interplay between the functional and aesthetic aspects of the final product.

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