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Odysseus
Sekicki, Bojana ; NOVÁK, Vladimír (advisor) ; RAJMONT, Ivan (referee)
The aim of the study is to outline the process of directing Odysseus from inspiration to presentation in front of live audience. In it I outline the development of the concept along with describing in detail my dramaturgical and directorial process, including: text work, research, work with actors, rehearsal preparation, work with scenography, work with space, sound and light etc.
In conclusion I aim to evaluate the successes of the overall process in relation to final product.
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Am I an Actor Yet?
Vejražka, Jan ; MAKONJ, Karel (advisor) ; RAJMONT, Ivan (referee)
Is it possible for me after four years of acting school and nearly one year of engagement to state definitively - Am I an actor yet?
This is the main question, I wish to answer through my work. I proceed by trying to define and show what it exactly is for me to be an actor. Therefore my work is structured into chapters, that in their own way result one from each other and meanwhile are tightly connected, so that means the whole work is in principle one compact text. In my work I mainly examine and explore my own experiences. Based on what I find, I realise, that for me, the answer - Am I an actor yet? - can not be answered. It can not be answered because in the essence, it means the same as - Am I a human yet?
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Sources of Inspiration For my Theatrical Observations
Pomoriški, Tamara ; Makonj, Karel (advisor) ; Rajmont, Ivan (referee)
In my essay Sources of Inspiration For my Theatrical Observations, I am answering the question why I do theatre. I am considering my personal non-theatrical experience, write about inspiration from other forms of art (literature, film, psychology, religion) as other possibilities of artistic expression. I am giving answers on questions such as: Why Prague and not Beograd ?, Why the alternative and not the classical theatre?. I am mentioning my hesitation over choosing between the puppet theatre and the alternative theatre. I am speaking about my own work and ordering its poetics. I am also writing about dramaturgic and directional inspiration.
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From Diletantism to Professionalism
Tichoňová, Alžběta ; Krobot, Miroslav (advisor) ; Rajmont, Ivan (referee)
The thesis, attempting to aim the studying at AMU, is written by subjective auctorial style and it is devided into three chapters. The first one, called - She and the time - describes a literary characterization of the studying at DAMU from the first year-class until the latest one. The second part, called - She and a specific application in some dramatic situations - deals with an elaboration, a reviewing estimation of a directional labour in the conrete performances. The third one, called - She and demagogy - implies a philosophy, a directions and an abstraction not only the existend subject but also in-personal common life situations.
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