National Repository of Grey Literature 2 records found  Search took 0.00 seconds. 
Between waking and dreaming: Cultural transformations of a sleep paralysis
Jedinák, Boris ; Janeček, Petr (advisor) ; Jakoubek, Marek (referee)
On one side, the diploma thesis examines the phenomenon of sleep paralysis (hereinafter referred to as SP), its cultural conceptualizations in archaic folklore in the Czech lands and in contemporary (modern) folklore - mainly it is focused on individual and collective explanations of its meanings. The theoretical part briefly outlines the character of SP from the perspective of modern psychiatry and the archaic folkloric interpretations of this sleep disorder appearing in various non-European cultures. The theoretical part is mostly focused on the phenomenon of the moth, the phantom, which the author considers to be one of possible understandings of this sleep disorder in the legends and customs of archaic Czech folklore. The research part of the thesis is based on ethnographic fieldwork. The aim was to map out, on the basis of ethnographic interviews with people who have experienced SP, how SP can be interpreted individually today, how this individual interpretation overlaps with the folkloric manifestations of the sleep disorder described in the theoretical part, relevant to a given cultural setting, and how pre-existing cultural models appearing in contemporary popular culture and modern folklore shape the individual experience of SP and the personal interpretation of informants. In yet another...
ACTIVATION OF SPECTATOR
Jedinák, Boris ; ADÁMEK, Jiří (advisor) ; LJUBKOVÁ, Marta (referee)
Boris Jedinák’s bachelor thesis deals with the tendency of an activation of spectator through analysis of performances realized during 60´ in USA (by The Performance Group and The Living Theatre), the performance by Augusto Boal which implies methods of the Forum theatre, and through contemporary Czech performances (YOU ARE HERE by Petra Tejnorová, Busking un/limited by Linda Straub and Pomezí by Lukáš Brychta). Author reflects his own projects realized during his bachelor study on KALD DAMU where spectators were supposed to accept an active role during the process of reception of a theatre piece.

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