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Václav Cigler 60's-80's
Hrnčířová, Markéta ; Klimešová, Marie (advisor) ; Lahoda, Vojtěch (referee)
This text is focused on the work of visual artist Václav Cigler and examines his work from year 1960 to 1989. The text aim to encompass all of the Cigler's creating of assigned period and to present him as a versatile artist, who is not just the glass artist, but who also deals with drawings and designs landart projects in which he works with the topic of ecology, urbanism, light and the relationship between landscape and human. The text shows the artist's work in a deeper consequence and it's looking for common moments in the different types of Cigler's art work and places it in the context of the Czechoslovak art of assigned period.
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Revivals of Forms and Styles in Visual Art: Current Hyperrealism as Product of Postproduction or a Commentary on the Advent of New Media
Hrnčířová, Markéta ; Borecký, Felix (advisor) ; Šafaříková, Radana (referee)
The book Postproduction: Culture as Screenplay, written by French aesthetician Nicolas Bourriaud is going to be initial text for my diploma thesis. Bourriaud claims, that contemporary art is mostly made by the principle of assemblage; art works are made by reinterpretation, reproducing or by new exhibiting of artefacts or forms of past. The assumption of the original concept in artworks of contemporary artists - semionauts (travelers in the worlds of signs) has been allready completely ineffective. Through the example of hyperrealistic paintings, which has lately reappeared in portfolios of international and czech artists, I will try to show whether its revilal is based on the emergence of new medias, that even more than in the seventies simulate reality or whether they deal with the concept of postpostprodution - the artists lend only formal, in this case, hyperrealistic, signs. This diploma thesis will be completed by the case study of paintings of czech hyperrealist painter Jan Mikulka.
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Revivals of Forms and Styles in Visual Art: Current Hyperrealism as Product of Postproduction or a Commentary on the Advent of New Media
Hrnčířová, Markéta ; Borecký, Felix (advisor) ; Šafaříková, Radana (referee)
The book Postproduction: Culture as Screenplay, written by French aesthetician Nicolas Bourriaud is going to be initial text for my diploma thesis. Bourriaud claims, that contemporary art is mostly made by the principle of assemblage; art works are made by reinterpretation, reproducing or by new exhibiting of artefacts or forms of past. The assumption of the original concept in artworks of contemporary artists - semionauts (travelers in the worlds of signs) has been allready completely ineffective. Through the example of hyperrealistic paintings, which has lately reappeared in portfolios of international and czech artists, I will try to show whether its revilal is based on the emergence of new medias, that even more than in the seventies simulate reality or whether they deal with the concept of postpostprodution - the artists lend only formal, in this case, hyperrealistic, signs. This diploma thesis will be completed by the case study of paintings of czech hyperrealist painter Jan Mikulka.
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Changing perceptions of landscape; work of Miloš Šejn's Conceptual art studio in years 1990 - 2000
Hrnčířová, Markéta ; Klimešová, Marie (advisor) ; Rakušanová, Marie (referee)
This diploma thesis focuses on the conceptual expressions, that reflect the landscape. This thesis is also trying to imply the possible genesis of these artistic approaches. After the general definitions of terms and introduction, the thesis examines the various topics, which was related to the landscape and it's anti-mimetic visual representation since the late sixties. Another part of the work focuses on Milos Šejn, an artist with a very specific, physical relationship to nature and at the same time a former head of The Studio of Conceptual art of the Prague Academy of Fine Arts, where many of his students were somehow related to nature. I chose four artists, who passed on Šejn's studio and on the basis of their work and available documents, I will try to show, how this new generation have reflected the landscape. If they were inspired by czech artists or by foreign examples, that were not available in the Czech Republic for a long time.
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Václav Cigler 60's-80's
Hrnčířová, Markéta ; Lahoda, Vojtěch (referee) ; Klimešová, Marie (advisor)
This text is focused on the work of visual artist Václav Cigler and examines his work from year 1960 to 1989. The text aim to encompass all of the Cigler's creating of assigned period and to present him as a versatile artist, who is not just the glass artist, but who also deals with drawings and designs landart projects in which he works with the topic of ecology, urbanism, light and the relationship between landscape and human. The text shows the artist's work in a deeper consequence and it's looking for common moments in the different types of Cigler's art work and places it in the context of the Czechoslovak art of assigned period.
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