|
|
Evaluation of the Financial Situation of a Company and Proposals for its Improvement
Hlavica, Lukáš ; Koláčná, Veronika (referee) ; Bartoš, Vojtěch (advisor)
The bachelor´s thesis deals with the financial situation of the company LAPP Kabel Czech Republic, s. r. o. for the period 2018 to 2022 and derives proposals for improving its financial situation. The thesis is devided into four main parts. The first part defines the objectives and methodologies for the elaboration of this thesis. The second part focuses on the theoretical foundations, in which basic concepts are thorougly described and selected indicators are defined. The third part is practical, in which theoretically described concepts and defined indicators are used to compile a financial analysis of the company. The fourth and final part is dedicated to proposals for improving the company´s financial situation.
|
|
|
Conscious management of expressivity
Shvachko, Elizaveta ; KUDLÁČKOVÁ, Jana (advisor) ; HLAVICA, Lukáš (referee)
Thesis deals with conscious management of expressivity on stage. Firstly the author of the thesis name basic issues related to psychical and physical tension during performance, secondly the author defines basic terminology related to tention and jitter. The core of this work is application of knowledge acquired during studies at DAMU, during first experiences of performances in front of audience during studies and also acquired from first experiences from professional environment of theatre and film. The author also analyzes her personal themes related to her own personality as possible obstacles in order to do acting profession.
|
|
|
Problematics of Fixation in Acting
Vejdělek, Matěj ; KUDLÁČKOVÁ, Jana (advisor) ; HLAVICA, Lukáš (referee)
In the first chapter of my master's thesis I think about acting, resp. the problem of fixation in the actor's work as an anchor in the given circumstances of a stage act, in dialogue with my ideas of acting and the philosophical concept of the life of a creature, inclining towards the ideas of Martin Heidegger and outline of his "Dasein". In the second chapter, I focus on my personal experience of both studies and professional practice in the context of chapter one considerations.
|
|
|
External and internal means of acting characterization
Trnková, Kamila ; PAVELKA, Tomáš (advisor) ; HLAVICA, Lukáš (referee)
External and internal means of acting characterization
The diploma thesis deals with the differences between the external and internal means used by the actor in creating the role and the suitability of their use. The author first defines the basics terms with which she works in the course of her work and their mutual relationships. Than she deals with self-stylization as a factor that influences actor in real life and consequentlly also during his profession. At the hearth of the work is the author´s reflection on her own acting dewelopment in the context of the initial rejection of external actors, and their subsequent admission. The lessons learned by the author to analyze the possible advantages and disadvantages of the chosen medium have gained from the experience gained during the DAMU studies, the first experience in film acting and the professional theater scene.
|
|
|
Stress in acting
Bartoš, Vojtěch ; HLAVICA, Lukáš (advisor) ; TÖPFER, Tomáš (referee)
Main topic of this thesis is psychological stress of an actor during his performance. Thesis describes psychological stress in general, shows categorization, determines its causes and reactions of body exposed to stress during long and short timeload. Special attention is dedicated to stress management (coping) and to mechanics of its intervention and prevention. Stressing working conditions and actors personality traits that can reduce or increase stress are researched on this theoretical background. Some of most casual stress phenomena are analyzed. Also reflection of the nature and importance of stress in acting is presented.
|
|
|
Actor and work
Šmíd, Petr ; PAVLATA, Michal (advisor) ; HLAVICA, Lukáš (referee)
The thesis brings the definition of an actor, his work or piece and the relationship between them. Then I describe aspects of that relationship, which has direct influence for actor works. The most important are director and partners on the scene and around and next the theatre space and scene space (set design solution etc.). The thesis has also chapter about needs to know yourself for acting.
And then I describe the ways with a drama text, undramatic text and without text too. How we were working without text and what it mean for me and my character. Next chapters are about extreme forms of actor‘s work. Which is performance and immersive theatre. The last two chapters are about film acting and acting with text in foreign language.
|
|
|
The possibilities of creative work in an enclosed theatrical group
Krippnerová, Tereza ; HLAVICA, Lukáš (advisor) ; NĚMEC, Marek (referee)
The main aim of the thesis is to explore the possibilities of creative work in an enclosed group of actors. The essential question to be answered is, how can the actor or the group itself explore and further develop creative potential of the individual or how it can limit development of the acting potential on the other hand. The thesis among others focuses on the obstacles which one needs to overcome, what are some of the rules to follow, in order for this "ecosystem" to work and successfully develop further on. The thesis provides unique insight into enclosed group of actors called Gruppo Jobel, the work within the group is reflected on the background of studies on Prague's DAMU theater acting and supported by wide span of related literature. The outcome of the thesis is mainly the inspiration, which can positively influence actors when studying and practicing the theater plays or can be influential in other creative fields related to theater and acting in general.
|
|
|
Ethics of acting profession
Heřmánek, Karel ; GROSSMANNOVÁ-MÁLKOVÁ, Marie (advisor) ; HLAVICA, Lukáš (referee)
In my thesis I examine the actor's approach to his profession on several different levels: creation of the character during development of the production, individual and collective responsibility, and society's perception of the acting profession. To do this I used my own experience ? my time studying at The Academy of Performing Arts and The Lee Strasberg Theatre & Film Institute in New York, and my work in DISK and professional theater.
|
|
| |
|
| |
guest ::
