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Bedřich Havlík - cellist,pedagogue
Kružík, Robert ; PETRÁŠ, Miroslav (advisor) ; WEISSOVÁ, Dominika (referee)
With the departure of Professor Bedřich Havlík, one of the largest creator of Brno musical life left Brno big personality. So far, noprefessional work about this great man has been written even if it undoubtedly deserved it. This work discusses about his life and work in the Moravian Quartet. Filled with countless memories of his most important students. It also presents the concert and concluded his personal documents and photographs.
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Saga of the Dvořák's family
Petrásek, Daniel ; ERICSSON, Mikael (advisor) ; PETRÁŠ, Miroslav (referee)
This bachelor thesis deals with the Dvořáks family, a famous Czech line of luthiers, and with the development of violin making in Czech countries in general. The texts is divided into three chapters. The core of the work is the second chapter, dedicated to all four members of the Dvořáks luthier family. The first part describes historical development and tradition of violin making in our country. At the same time, it attempts to clarify the sources of the Dvořáks work, what they followed, what they left to their descendants and what was their influence on contemporary violin making. The last chapter explains the correlation of the art of violin making with the art of interpretation and shows that there is a close connection between them. The aim of the work is to stress the fact that violin making is a valid and valuable art which was brough to the highest level by our luthiers.
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Violin Creation of Benda´s Family
Šimková, Marie ; HOŠEK, Jiří (advisor) ; PETRÁŠ, Miroslav (referee)
In my diplomas´s thesis I deal with a violin creation of Benda family. In the first charter I discuss about the work of Czech musicians and composers abroad - in Germany,Italy, Poland and Russia.
The second charter is called " Frantisek Benda". This chapter testifies abou life and work of this man.Then I desribe the life and life of Antonín Benda, František´s brother.The fifth chapter deals with the important moments in the life of the brothers Josef and Jan Jiří Benda and I also remind their violin making.
After a brief introduction to the family Benda I approache to the crucial part of that from the sixth chapter I analyze the characteristics of musical expression siblings Benda.
First, I pursue four violin sonatas of František Benda. Then I analyze two sonatas of Frantisek´s brother, Jiří Antonín Benda.
The eight chapter deals with the Violin Concerto inG major, which was composed by Jan Jiří Benda. Characteristic of musical speech by František, Jiří Antonín and Jan Jiří Benda is the subjectof the last charter of this work.
In the conclusion I argue that musical life in this country, the Czech Republic, or currently not forget the musical legacy Benda family.
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Bohuslav Martinů - Cello Sonata Nr. 1
Vokáč, Ivan ; PETRÁŠ, Miroslav (advisor) ; KAŇKA, Michal (referee)
Bohuslav Martinu's Cello Sonata No. 1 has recently became part of the traditional repertoire of cellist, and because the author of this thesis was deeply impressed by the piece, he decided to study the composition not only a practically but also theoretically (harmonic, formal, historical and analytical), work is divided into four chapters. The first one is devoted to the composer's biography, the second one summarizes and puts all the Martinu sonatas for this instrument into context. Next chapter is a detailed formal analysis of this work and the last is devoted to the interpretatiion analysis of records of three renowned artists.
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New music Styles of 20th Century in Relation to contemporary fine Arts
Drtina, Štěpán ; PETRÁŠ, Miroslav (advisor) ; BERNÁŠEK, Václav (referee)
This work focuses on possible relations between music and fine arts in the beginning of the 20th century. It offers possibilities of comparsion of different kinds of art from the aesthetical point of view, it looks for common subject of both the kinds of art, gives specific examples of works which are affected by the other kind vice versa. It tracts the most important styles and trends which arose in the music and fine arts in 20th century and discusses their similarities. The rest of the work is dedicated to specific cases where the both arts meet on one place in one moment - group of fine arts Mánes and the team of composers around it, group of Russian ballets of S. Dhagilev and the phenomena of colour music and its realisation, mainly in the work of Zdeněk Pešánek.
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Friedrich Gulda and his cello Concerto
Chudoba, Petr ; HOŠEK, Jiří (advisor) ; PETRÁŠ, Miroslav (referee)
In this Bachelor disertation the autor focuses on the austrian pianist and composer Friedrich Gulda and his Concerto for cello and brassband. The first chapter is about his life and includes biographies of the cellists, whose recordings of this concerto are compared in the last section of this disertation. In the middle part is the formal analysis of the concerto to be found. At the end is the list of the sources and enclosures.
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Data Quality Monitoring Methods Applied to Data Processed by Decision Support Systems
Hološková, Kristína ; Lorenc, Miroslav (advisor) ; Petráš, Miroslav (referee)
The business data could be considered as the raw material for decision-making process, for the development of corporate strategies and overall running of the business. Therefore, adequate attention should be paid to quality of the data. The main goal of the diploma thesis is elaboration of a specific framework for data quality assurance, which combines three theoretical concepts: time series analysis, data screening and data profiling -- business-specific data profiles are monitored by data screening during the data warehouse ETL (extract, transform and load) process and results are afterwards compared with the values predicted by time series analysis. Achievement of this goal is based on the analysis of "data quality" in literature, exact problem definition and selection of appropriate means for its solution. Moreover, the thesis is analysing alternative solutions available on the market and comparing their functionality with the functionality of own framework, as well.
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Smetana´s Quartet " From their life"
Zvěřina, Jan ; Petráš, Miroslav (advisor) ; Hošek, Jiří (referee) ; Bernášek, Václav (referee)
This Bachelor theses about the Smetana Quartet - " from theit life" is based on forming, and further career development of this world - renowned ensemble. Its goal is to examine the condition under which the quartet became successful and reached its artistic heights. The author of the work, who himself is a member of a string quartet, is not only keen to share the easily accessible information, but focuses on the less common, and from a quartet member´s perspective, more interesting facts. The author also discusses the preparation processes and practicing techniques. Furthermore, the author talks about the insights of the group, the relationships and a character of each individual player. The author interviews one of the members of the Smetana Quartet, violist Milan Skampa to further support his goal in this theses.
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Beethoven and violocello
Petr, Václav ; Ericsson, Mikael (advisor) ; Petráš, Miroslav (referee) ; Jamník, Tomáš (referee)
Ludwig van Beethoven enriched the violoncello repertoire. He created the new form of the sonata for piano and violoncello. His variations for violoncello and piano are also notable. All his cello sonatas and variations are innvolved in this thesis. His Sonata No. 5 in D major, op. 102/2 will be analyted in formal way. His Concerto in C, op. 56 for piano, viollin and cello, with orchestra by also analyzed. The role and function of the violoncello in his strings guartets is involved.
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Paul Hindemith´s cello sonatas
Pech, Jan ; Ericsson, Mikael (advisor) ; Petráš, Miroslav (referee) ; Hošek, Jiří (referee)
This thesis is focused on sonatas for violoncello in the work of composer Paul Hindemith. The main goal was summarizing of information , which could be useful for advanced readers and interprets. The opening chapter contains brief biographical review, embedded for better understanding of historical context and characterization of P.Hindemith as an important musical personality. This Chapter is completed by review of his compositions for violoncello in general and some remarks on his technigue of composition. Next four chapters contain description of published Hindemith sonatas in more detail. Information about sonatas origin and its structure are presented. The analysis is completed by many examples of the music stave. The main result of this indeed commented information useful for interpretation. Regarding to different periods, when the sonatas were written, we can see also the development of Hindemith´s composition technigue.
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