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The concept of autonomy: conditions of modern subjectivity and historicity
Janoščík, Václav ; Horský, Jan (advisor) ; Činátl, Kamil (referee)
Předkládaná práce se snaží o artikulaci pojmu autonomie v jeho komplexnosti rámci. V první části jsou tematizovány jednotlivé kontexty tohoto pojmu, ve snaze prohlédnout jeho strukturu. Následně práce sleduje jeho vlastní historii. V poslední části pak hodláme výslednou koncepci aplikovat na dvě vybraná historiografická díla. Tímto postupem se snažíme zejména důsledně proniknout do bohaté interdisciplinární literatury, formulovat a hájit původní teze týkající se struktury i genealogie tohoto pojmu a prokázat tak nejen jeho historickou relevanci, ale také konceptuální užitečnost v rámci metodologie historické vědy.
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Contemporary art after Late Photography.
Czanderle, Michal ; DVOŘÁK, Tomáš (advisor) ; JANOŠČÍK, Václav (referee)
In my work, I would like to close the term "Late photography". Personally, I believe that since the seventies we in the works of many artists find similar documentary strategies that relate to the concept of "Late photography". Currently, there is a certain exhaustion of this concept. For these reasons, I would like to focus on finding artists who suggest a new direction in photography while benefiting from a "photojournalist".
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The Liberation of Pilsen 1945 in Photography
Křenová, Tereza ; SILVERIO, Robert (advisor) ; JANOŠČÍK, Václav (referee)
This bachelor thesis deals with liberation of Pilsen in May 1945 by american army in photography. The aim of this thesis is finding and collecting archival materials and placing them in a historical-political context. Communist regime changed the portrayal of historical events and directly influenced the amount of exisiting photographs, documents and lives of those who created them. Important part of this bachelor thesis is working with those archival materials – particularly with photographs capturing arrival of Americans and their stay in Czechoslovakia at the end of WW2. Both professional and amateur photographers created valuable photographs as they witnessed the liberation of Pilsen. These photographs became in spite of communist propaganda a clear evidence that Pilsen was liberated by american army.
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Introduction to bio art
Šperanda, Nina ; SILVERIO, Robert (advisor) ; JANOŠČÍK, Václav (referee)
Bio art is a contemporary art practice that works with living organisms (except humans) or is created in cooperation with living organisms. It is relatively new art movement that is rooted deeply inside the history of evolution, domestication of animals and plants, technological discoveries, their development and science. Never before was art questioning its ethics and aesthetics in such profound, molecular and sub-molecular way.
In this work I will consider the historical influences and conditions that led to current developments in the field. I will also try to explain the problematics of defining what bio art is and try to clarify the associated terminology. Most relevant and ground breaking works in the field will be mentioned as some new recent developments.
Aesthetics of bio art is also an important subject often set aside by the ado around ethics of it. It is an extremely important subject to be considered when talking about bio art and I will try to sketch out a brief outline of it with references to philosophy and contemporary bio art theory.
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