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Business plan: Music and dance club
Sluková, Karla ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This bachelor thesis named Business plan: Music and dance club deals with the creation of the business plan of a club that connects live music with dance. The club is about to specialize in the dance styles salsa, swing, tango argentine and Latin-American dance.
The aim is to evaluate the feasibility of this business intention.
In the first part of the work I theoretically describe what the business plan is and what its essentials are, in the second part I specify my business intention and examine the history and potential of particular styles of dance. In the third, practical part I create the business plan itself, including the financial analysis. Thereunder in the conclusion I evaluate the viability and rent ability of the intended music and dance club.
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The Czech radio´s music broadcasting
Bělorová, Klára-Noemi ; ŠTILEC, Jiří (advisor) ; HAVLÍK, Jaromír (referee)
This Bachelor thesis constitutes an overview of different ways Czech radio broadcasting implements music. In the first chapter, it concerns itself with the development of musical broadcasting throughout the history of Czech radio. In the following chapters, it describes the structure of musical broadcasting on all channels (as statewide, so regional or merely those digitally shared) and offers an overview of all Czech radio´s shows about music. Sources used for this thesis ranges from literature about the history of Czech radio and selected phenomenon of the media market, Czech radio´s homepage, and listening to the broadcasts themselves. The thesis's summary consists of the evaluation of Czech radio´s activities depicted in the thesis in the context of the Czech music scene and the global media market.
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The Issue of Financing Symphonic Orchestras in the Czech Republic
Hannsmann, Jiří ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Master thesis -The Issue of Financing Symphony Orchestras in the Czech Republic? is trying to present the example of 14 Czech symphony orchestras and a number of problems in financing, which they are supposed to solve. The development of professional ensembles in the past is used as a way to explain that the performing of music, which meets the contemporary aesthetic requirements, has never been self-sufficient and alike today hes been dependent on the donors. The evaluation of the operation of particular symhony orchestras is complicated because of the high variability of the basic conditions and quite frequent inaccuracies in the publicised figures. I used all information accessible to the public about financing of 14 symphony orchestras and tried to show the most distinctive differences in subsidies from their founders. In the end I wanted to show sketches of possible solutions of the permanent underfunding of professional music ensembles in the Czech Republic.
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Current Situation of czech Publishing in non-artificial Music
Kovalová, Terezie ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The goal of this thesis was to evaluate current situation of czech publishing in non-artificial music, primary in last five years. This thesis also deals with digital production, current situation in the area of piracy and ATCA and also deals with the topic called ?Loudness war?. Thesis is completed with interview with a leading czech producer, Jan. P. Muchow.
Key words: publishing, digital production, piracy, ACTA, ?loudness war?
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European Saxophone Ensemble
Králová, Tereza ; RADOK ŽÁDNÁ, Ingeborg (advisor) ; ŠTILEC, Jiří (referee)
The European Saxophone Ensemble was formed by twelve young saxophone players from twelve different countries of the European Union. Every year toured at least seven countries of EU and for each of the years were composed 5 - 6 new pieces from the authors of different nationalities and different music preferences. This project was held in the years 2008, 2010, 2011, 2012 and 2013. It was organized by the association MET-X, whose main target is to connect different cultures with music.
My theses is focused on theoretical and practical knowledge of European grant program Culture. The centre of the theses is the grant program strand 2. Support for organizations active at European level in the field of Culture from which the MET-X was benefiting. It should be also a documentation and resume of the whole project European Saxophone Ensemble.
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The Way of Financing the Selected European and American Orchestras
Moravec, Jaroslav ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
This study deals not only with orchestras financing issues but also with culture systems in general, and it does so in different states, societies and cultures. For the purposes of the systems comparison and at the same time for relating it to the Czech Republic environment, I have chosen the orchestras of Wiener Philharmoniker, Berliner Philharmoniker and Concertgebouworkest in Amsterdam as the representatives of continental Europe; New York Philharmonic together with Chicago Symphony Orchestra from the USA; and London Symphony Orchestra from Great Britain as the border line between the European and the American world. The aim of this study is to formulate a comprehensible overview of the most important characteristics of the above mentioned issues.
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Strategic management in small artistic organizations
Žák, Matěj ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Goal of this Bachelor's Thesis is to present the theoretical minimum in the subject of strategic management that is to be applied in small artistic organizations. Background of most of the authors cited here is deliberately non-artistic. The crucial part of this thesis deals with the insight of M. Porter (theory of competitive advantage), W. Chan Kim and Reneé Mauborgne (Blue Ocean Strategy) and M. Kaiser (strategic planning in the arts). Each of the theoretical concepts is elucidated by set of real examples of cultural organizations. Special emphasis has been put on the global importance of internet and information technology. For the same reason start-ups has been included in the group of small artistic organizations as its relevant part.
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Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and Internation Master Classes Ostrava
Čermáková, Kateřina ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
Bachelor thesis Functioning of Music Interpretation Courses with Focus on International Summer Clarinet Workshop Domažlice and International Master Classes Ostrava especially concentrates on practical side of two above-mentioned interpretation and master courses. Since hungarian virtuoso Franz Liszt laid their principles, they became an important part in developement of every young music interpreter. This thesis aims to show on particular examples how are such courses started and what is required for their fluent course. Both courses have their specific approaches and goals. From the organizational point of view, easier way was chosen by Ludmila Peterková in courses in Domažlice. She invites only one foreign lecturer and focuses on young musicians. In contrast, Igor Františák, a lead organizer of Ostrava courses, has a difficult task ahead of him every year. He needs to raise funds to pay several lecturers from abroad. On the other hand, such courses draw larger attention of both older and professional musicians.
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Comparison of the economic Operation of the Gymnasium of Jan neruda and the Music School of Prague
Králová, Tereza ; ŠTILEC, Jiří (advisor) ; BĚLOR, Roman (referee)
The main points of my work are parts about the economic operation of Gymnasium of Jan Neruda and The Music School of Prague and about their cooperation.
First I had to introduce the historic background of the participating schools and then I could focus on my main theme Comparison of the economic operation of the Gymnasium of Jan Neruda and the Music school of Prague.
The last chapter which is about the comparison of the study on the music gymnasium and music conservatories in Czech Republic is just the last curiosity about the music classes of Gymnasium of Jan Neruda.
During this year the music classes of the gymnasium of Jan Neruda and the Music School of Prague changes into the new institution Gymnasium and the Music School of Prague.
Even though is the Gymnasium and the Music School of Prague still rare in Czech education system we do not have any reason to expect the fall of this institution.
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