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Works for Piano of Václav Jan Tomášek and Use at Piano Education i n Basic Music Schools
Jindřichová, Petra ; Palkovská, Jana (advisor) ; Gregor, Vít (referee)
This theses consists of four chapters. The first chapter presents life and work of Václav Jan Tomášek and characterizes the historical context. The second chapter deals with practical use of his compositions for students at music schools and also brings to light songs of Tomášek which can be used in chamber music education. The third chapter deals with music project as a modern concept in education. Fourth chapter describes music survey and its evaluation. This work schould provide deeper knowledge about Czech music composer V. J. K. Tomášek and his piano work.
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Armenian piano literature focused on instructive literature
Davtyan, Azniv ; Palkovská, Jana (advisor) ; Gregor, Vít (referee)
The diploma thesis is focused on the Armenian piano music in context with Armenian culture. The first chapter summarizes important events of the history of Armenia from the ancient times to the present. Following chapters describes Armenian musical culture and Armenian piano music. The last chapter intended to be the most important, it tries to characterize giants of Armenian music and their most important works.
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Comparison between fine art and musical pieces of composer Luboš Fišer
Kůsová, Lenka ; Bláha, Jaroslav (advisor) ; Gregor, Vít (referee)
This diploma thesis deals with comparison of five musical pieces of composer Luboš Fišer with fine arts. The thesis is divided in the two parts. In the first part we analyze general art trends in 1960s. We will make reference to the most important trends and personalities, who composed and painted in that age. We will also compare literature, fine art and music in Czech Republic in 1960s, which were the best years of Fišer's work. The second part of the thesis describes in detail five Fišer's pieces, which were composed in 1960s. These are Ruce - Hands (1961), Patnáct listů podle Dürerovy Apokalypsy - Fifteen Prints After Durer's Apocalypse (1965), Caprichos (1966), Double (1969) and Nářek nad zkázou města Ur - Lament over the Ruined Town of Ur (1970). Analysis of those pieces is based on comparison with inspiration sources (Albrecht Dürer: Apocalypse, Francisco Goya: Caprichos, old Sumer text called Lament over the Ruined Town of Ur) or it is based on comparison of Fišer's composition method with fine art piece (Double) or it is analyzed just from the semantic point of view of the piece (Hands). Goal of this work is to present composition of distinguished Czech composer Luboš Fišer to general public using analysis of his pieces. In the future, this work should be used for creation of composer's monograph...
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Zdena Janžurová and her stimulations in piano pedagogy
Ptáčková, Veronika ; Tichá, Libuše (advisor) ; Gregor, Vít (referee)
My thesis deals with problematic instructive piano methodology. The aim of my thesis is to present the book called Little Piano School and the book called New Piano School. They were written by the authors Zdena Janžurová and Milada Borová. They are comprehensively compiled books that creatively explain the best of modern methodical processes. It teaches how to play tie piano and it includes lessons for children of three years of age up to fifth-sixth class school of art. Next, I want to introduce the personality of professor Zdena Janžurová and her working methods and point of view about teaching the piano.
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Norwegian piano music
Konopa, Ondřej ; Kopecká, Věra (advisor) ; Gregor, Vít (referee)
The goal of the work Norwegian piano music is to map out the important part of Norwegian music culture, to outline possibilities of its usage in concerts as well as in pedagogical practice and to present the results to the wide public. Public knowledge of the Norwegian part of the European cultural heritage is in comparison to knowledge in other national cultures quite poor. This concerns not only the Czech Republic, but mostly all European countries. It may be caused by the language as well as geographical barrier to information access. This work wants to use potential and special knowledge of its problems, make an analysis of usage possibilities in performing and pedagogical practice. Finally, the work wants to extend knowledge in European music culture to those Czech and foreign people who are interested in, and to offer them posiibilities of the practical use of this information.
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The piano music by Leoš Janáček.
Procházková, Lenka ; Gregor, Vít (advisor) ; Tichá, Libuše (referee)
The aim of this diploma thesis is to acquaint the reader with the personality and piano works of Leoš Janáček. It is especially directed at interpretation specificity of piano works by Janáček. Not only experienced pianists but also teachers and students of various degrees and types of music schools are faced with this problem. For this reason I tried to outline my thesis so that pieces of knowledge contained in it could be applied in the practice as much as possible.
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The piano music by Čestmír Gregor
Veličková, Magda ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
In my thesis, I introduce a complete list of piano works by Cestmír Gregor, a contemporary Czech composer of modern classical music. 1 have tried to define his compositional techniques and sources of inspiration by analysing the individual pieces of music. I have found that the major features of the author's highly unique style are polyphonic thinking, the development of motives from small nuclei, expressive themes, plastic tunes, inventive work with rhythm, and the absence of a tonal centre which he compensates for by distinctive melodies . The author finds his inspiration in folklore, especially Moravian (Leoš Janácek), the works of Czech interwar avantgarde (Pavel Borkovec) and in jazz (Jaroslav Ježek). His music reflects the emotional states of a man living in the twenty-first century whose life style is predominantly determined by an urban environment. Gregor does not use any of the Musica Nova theories, instead he founded his own music language. The basis for his compositions is communicative music, which follows the patterns of human perceptive psychology. Gregor's concertant compositions are typical for a new instrument stylization and nontraditional attitudes towards instrument virtuosity (playing with a palm, elbow; an unconventional fingering). His piano sonatas and concerts enable the...
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