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The motif of death in art in the years 1890-1918
Heřmánková, Klára ; Pech, Milan (advisor) ; Bendová, Eva (referee)
The aim of the bachelor's thesis is to deal with the motive of death in the visual arts at the turn of the 19th and 20th centuries. The work introduces and analyzes various motives related to death and dying and their changes over the course of twenty years. It follows the content shift of these motives, such as the frequency of their occurrence, their connection with the development of society etc. Last but not least, the work introduces the topic from a sociological point of view, and therefore touches on statistical data on mortality and common causes of death in the years 1890 to 1910, etc.
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The motif of death in art in the years 1890-1918
Heřmánková, Klára ; Pech, Milan (advisor) ; Bendová, Eva (referee)
The aim of the bachelor's thesis will be to deal with the motive of death in the visual arts at the turn of the nineteenth and twentieth centuries and during the First World War. It is a time of many social changes, when the number of suicides increased despite the increasing life expectancy. The work introduces and analyzes various motives related to death and dying and their changes over the course of almost thirty years. It will follow the content shift of these motives, such as the frequency of their occurrence, their connection with the development of society etc. In the context of the First World War, the bachelor's thesis will also include selected works created after 1918 related to the events in that times. Last but not least, the work introduces the topic from a sociological point of view, and therefore touches on statistical data on mortality and common causes of death in the years 1890 to 1918, etc.
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Reception of Deml´s prose poetry Hrad smrti and Tanec smrti
SVOBODA, Marek
This bachelor thesis focuses on the readers' reception of Jakub Deml's works of poetical prose, specifically Hrad smrti and Tanec smrti from the perspective of Constance school of reception aesthetics. The theory is based mainly on the texts of German literary theorist Wolfgang Iser. The analysis of Deml's work is considered in the context of literary expressionism and is based mainly on Iser's take on empty spaces that enable the reader to connect the different perspectives in the text through the narrator, characters, story and a fictional reader "written in" the text. Unambiguity in the text creates a need to further specify its different aspects and this task is left to the reader.
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