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Titian, classical mythology and Ovid
Vorlová, Magdalena ; Konečný, Lubomír (advisor) ; Bažant, Jan (referee)
The thesis examines the classical motifs in the works of Titian. The author focuses on a closed set of works inspired by classical motifs (i.e. motifs of classical mythology), which were created for the Spanish king Philippe II. The thesis deals with the question of possible literary or material sources which could have been at the painter's disposal or could have served as his inspiration. The set of works is defined by themes chosen from Ovid's Metamorphoses. The question is whether Titian based his compositions on their classical version or on a Renaissance adapted or commented translation, or whether he even inspired himself by other classical authors.
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Romantic Characters in the Work of Victor Hugo
Vorlová, Magdalena ; Listíková, Renáta (advisor) ; Ébert-Zeminová, Catherine (referee)
Although Victor Hugo is considered the leader of romanticism, His work can be found in many realistic elements. We explained that realism no opposition to romanticism, but that the two mutually permeate streams that Romanticism is the basis of realism. In the novels we studied we find a number of common thematic elements, both romantic and realistic. The author's access to them but not never clear. Romantic motif of the mask is the extreme, imprisonment, for some romance, full of mystery and environment-friendly refrigeration, portrays Hugh realistically menacing, while the realistic theme builds social problems Hugo to the fore quite romantic hero. About any of Hugh's prose can not unequivocally say that it is realistic or romantic. In all we find side by side elements and motifs of the two directions intertwined and mutually complementary, one based on the other. Paul Bénichou characterized as a synthesis of the "harmony between the real and ideal, the sense and spirit, and potential natural"
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Titian, classical mythology and Ovid
Vorlová, Magdalena ; Konečný, Lubomír (advisor) ; Bažant, Jan (referee)
The thesis examines the classical motifs in the works of Titian. The author focuses on a closed set of works inspired by classical motifs (i.e. motifs of classical mythology), which were created for the Spanish king Philippe II. The thesis deals with the question of possible literary or material sources which could have been at the painter's disposal or could have served as his inspiration. The set of works is defined by themes chosen from Ovid's Metamorphoses. The question is whether Titian based his compositions on their classical version or on a Renaissance adapted or commented translation, or whether he even inspired himself by other classical authors.
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Romantic Characters in the Work of Victor Hugo
Vorlová, Magdalena ; Listíková, Renáta (advisor) ; Ébert-Zeminová, Catherine (referee)
Although Victor Hugo is considered the leader of romanticism, His work can be found in many realistic elements. We explained that realism no opposition to romanticism, but that the two mutually permeate streams that Romanticism is the basis of realism. In the novels we studied we find a number of common thematic elements, both romantic and realistic. The author's access to them but not never clear. Romantic motif of the mask is the extreme, imprisonment, for some romance, full of mystery and environment-friendly refrigeration, portrays Hugh realistically menacing, while the realistic theme builds social problems Hugo to the fore quite romantic hero. About any of Hugh's prose can not unequivocally say that it is realistic or romantic. In all we find side by side elements and motifs of the two directions intertwined and mutually complementary, one based on the other. Paul Bénichou characterized as a synthesis of the "harmony between the real and ideal, the sense and spirit, and potential natural"
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