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CIRCULATION
Bartošová, Zuzana ; Vlasák, Robert (referee) ; Ambrůz, Jan (advisor)
The diploma project Circulation tries to solve the problem of repeating cycles. It is an object with organic shape, created from a tube with light circulation on it. This object is based on idea of human constantly repeating actions and processes, whether they refer to the human body and mind, nature or society. The object is created site-specifically in to the gallery (Brno Gallery OFF/FORMAT) and tries to fill the space. The line passing through the gallery space can be seen as a route or path, but it can also remind a movement without a clear goal, or go around in circles. The omnipresent cycle, is then an individual contribution to the whole and it can be presented as a irregular curve full of dramatic twists and turns, ups and downs. The light (made by digital LED strip), which constantly copies the organic shape of the tube, represents an endless flow of information. The object tries to point out the never ending circulations in our lives; the object does not solve the problem, it is rather a statement.
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Representation of Absence
Staňková, Olga ; Vlasák, Robert (referee) ; Houser, Milan (advisor)
The master’s thesis titled Representation of Absence is based on material and process experiments with the technology of steel in abstract paintings. I’ve been fascinated by the technological form of creation which metaphorically reflects the subjects of paintings. Diploma artworks represent as same as discuss the absence of pure nature, moreover speculate about the idea of reciprocal influence of nature and technology.
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CIRCULATION
Bartošová, Zuzana ; Vlasák, Robert (referee) ; Ambrůz, Jan (advisor)
The diploma project Circulation tries to solve the problem of repeating cycles. It is an object with organic shape, created from a tube with light circulation on it. This object is based on idea of human constantly repeating actions and processes, whether they refer to the human body and mind, nature or society. The object is created site-specifically in to the gallery (Brno Gallery OFF/FORMAT) and tries to fill the space. The line passing through the gallery space can be seen as a route or path, but it can also remind a movement without a clear goal, or go around in circles. The omnipresent cycle, is then an individual contribution to the whole and it can be presented as a irregular curve full of dramatic twists and turns, ups and downs. The light (made by digital LED strip), which constantly copies the organic shape of the tube, represents an endless flow of information. The object tries to point out the never ending circulations in our lives; the object does not solve the problem, it is rather a statement.
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