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Marian devotion in Bohemia after the Battle of White Mountain: example of the work of J. I. Dlouhoveský
Smyčková, Kateřina ; Zdichynec, Jan (advisor) ; Sládek, Miloš (referee)
This thesis engages in the Marian cult in Bohemia in the second half of the 17th century. The first, general part is the characteristic of the Marian devotion with the secondary literature, followed by a chapter on Czech prints with the Marian theme (1650-1750). The base of the thesis is the analysis of the work of J. I. Dlouhoveský (1638-1701). The analysis focuses on some forms of the Marian cult: pilgrimage, cult of saints (especially of Bohemian patrons), Marian devotion in the Habsburg dynasty and a folk piety. The last chapter deals with the literary self-presentation of Dlouhoveský (example of the Marian devotee). The appendix consists of the inventory of all works of Dlouhoveský, and of the graphs that summarize information about the Marian prints (1650-1750).
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Analysis of the Repertoire of the 18th century Handwritten Hymnbook of Unknown Provenance
Heroldová, Martina Marie ; Škarpová, Marie (advisor) ; Smyčková, Kateřina (referee)
The bachelor's thesis focuses on an unknown anonymous Czech handwritten hymnbook from the half of the 18th century, which is currently in the private ownership. The songbook encompasses no musical notation. The aim of this thesis is to analyse the gathered song repertoir, to determine its age and autorship and to identificate the potential textual sources of the songbook. The thesis also outlines general description of the hymnbook, which has not yet been analysed. The index of the included song incipits and melody references is also part of the thesis.
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Repertoire analysis of hymn-book Velmi pohodlný kancionálek za mrtvé
Ungrová, Veronika ; Škarpová, Marie (advisor) ; Smyčková, Kateřina (referee)
This thesis aims to provide a basic filological analysis of anonymous non-rented hymn-book of czech funeral songs, that was published in Prague in the 1730s. After compiling the necessary inventory of song incipits and song references, the work will focus primarily on the age identification (and eventually also the autorship identification) of the collected songs and an identification of potential hymnal models. It then addresses the issues of the of the hymn as well as the determination of its place in bohemical hymnology at the first half of the 18th century.
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Forms of conceit in Daniel Nitschʼs sermons
Pechová, Michaela ; Škarpová, Marie (advisor) ; Smyčková, Kateřina (referee)
This bachelor thesis deals with the analysis of two sermons, selected from the postil Berla královská Jezu Krista (1709), delivered by a Jesuit preacher Daniel Nitsch (1651-1709), mainly from the perspective of its affiliation to the new Art of Eloquence (ars nova eloquentiae). The two analyzed preachments are the sermon delivered on the Septuagesima Sunday and the preaching from the fifth Sunday after Easter. The analysis concentrates primarily on the compositional devices through which the individual sections of the sermons are connected. The aim of this thesis is to present various conceptual components employed by Nitsch in the preachments.
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The process of forming a song canon in 17th and 18th century hand-written hymn-books
Smyčková, Kateřina ; Škarpová, Marie (advisor) ; Malura, Jan (referee) ; Andrlová Fidlerová, Alena (referee)
This dissertation thesis follows on the contemporary research focused on the early modern manuscript culture. The thesis deals with the Moravian manuscript hymnals from the 17th and 18th century and with their repertoire. The manuscript hymnography is one of the richest sources for an understanding of the popular piety, the Baroque literature and the church music. Some of the hymnals are accompanied by musical notation and a large number of them are beautiful illuminated. However, they have never been made accessible through modern edition, and there are hardly any analytical studies concerning these hymnbooks. The opening chapter summarizes the existing research on the given topic. It is followed by the description of approximately forty manuscript hymnals. The next chapter concentrates on some specific qualities of the manuscript publication and focuses on the song repertoire. The third chapter further develops the general theses. It is devoted to four manuscript hymnals from the sixties and the seventies of the 17th century. The analysis of their writing, ilumination and repertoire proves the same author - Jan Klabík from Želechovice. This chapter concentrates on the song repertoire, relations to older hymnals and the song canon. The fourth chapter focuses on two specific groups of songs: the...
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Marian devotion in Bohemia after the Battle of White Mountain: example of the work of J. I. Dlouhoveský
Smyčková, Kateřina ; Zdichynec, Jan (advisor) ; Sládek, Miloš (referee)
This thesis engages in the Marian cult in Bohemia in the second half of the 17th century. The first, general part is the characteristic of the Marian devotion with the secondary literature, followed by a chapter on Czech prints with the Marian theme (1650-1750). The base of the thesis is the analysis of the work of J. I. Dlouhoveský (1638-1701). The analysis focuses on some forms of the Marian cult: pilgrimage, cult of saints (especially of Bohemian patrons), Marian devotion in the Habsburg dynasty and a folk piety. The last chapter deals with the literary self-presentation of Dlouhoveský (example of the Marian devotee). The appendix consists of the inventory of all works of Dlouhoveský, and of the graphs that summarize information about the Marian prints (1650-1750).
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Repertoire analysis of the hymn-book Kancionálek aneb Písně křesťanské
Smyčková, Kateřina ; Škarpová, Marie (advisor) ; Andrlová Fidlerová, Alena (referee)
This thesis focuses on the analysis of anonymous Kancionálek (printed in Prague at K. F. Rosenmüller between 1712-1727). The thesis shows, based on survey sources, his relationship to other hymn-books and his possible sources (non-Catholic "litterati" hymn- book and other). Main part of the thesis analyzes the modifications of the old repertoire and overall concept of the hymn-book: purpose is to describe the editorial strategies for creating a small non-noted hymn-book for broad masses of people. The appendix consists of catalog of all the songs, that are included in Kancionálek.
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