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Gender analysis of the perception of original sin from the perspective of a sample of believers in the Czech community from Romania
Pekárková Schneiderová, Eliška ; Knotková - Čapková, Blanka (advisor) ; Kobová, Ĺubica (referee)
In my thesis I deal with a biblical "myth" of the original sin and with a question how this topic can demonstrate the genesis of gender duality in a sense of superiority and inferiority using the authors catholic and feminist theology and subsequent data collection. The topic of the original sin is being analysed from a gender view -first in the theoretical part of the thesis that has helped me to continue to the following part of a research. The research consists of semi-structured interviews with a group of people belonging to a specific community. These people were born in the Czech villages in Romania and live nowadays in the Czech Republic. The original sin and its "myth" are still being presented at the level of a myth. His consequences remain in the background of the society and public attention. That is why I decided to deal with this topic. In this way I connect my own interest with this group, which includes a minority of a society with special characteristics. The aim of this thesis is to present the consequences of the original sin on a theoretical level and in terms of research, which I also contribute to with my interviews. And so to answer the research question regarding the influence of minority companies mostly from the standpoint of faith.
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Jewish Identity in the late Empire and in the Weimar Republic. Jacob Steinhardt and his Circle of Artists
Pekárková, Eliška ; Lorenz, Torsten Horst (advisor) ; Spurný, Matěj (referee)
Jakob Steinhardt (1887 - 1968) has been ranked among the most significant German-Jewish artists of the 20th century. He became famous for his woodcuts depicting Jewish motives such as his Pessach-Haggada. He was also an important representative of the so-called Jewish Renaissance. The aim of this thesis is to present his persona in the context of German-Jewish history in the first three decades of the 20th century. The thesis tries to reconstruct his circle of artists and to analyse the Jewish constructions of identity. Methodologically, the thesis is based on the concept of cultural transfer; at the same time it also draws from historical analyses of social bonds and from the Visual Turn writings. The primary sources consist of individual pieces of visual arts, Steinhardts` guest books, his diaries, memoires of his wife and the then press. Key words: Judaism, Identity, Sionism, Jewish Renaissance, Expressionism, Jakob Steinhardt
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Gender analysis of the perception of original sin from the perspective of a sample of believers in the Czech community from Romania
Pekárková Schneiderová, Eliška ; Knotková - Čapková, Blanka (advisor) ; Kobová, Ĺubica (referee)
In my thesis I deal with a biblical "myth" of the original sin and with a question how this topic can demonstrate the genesis of gender duality in a sense of superiority and inferiority using the authors catholic and feminist theology and subsequent data collection. The topic of the original sin is being analysed from a gender view -first in the theoretical part of the thesis that has helped me to continue to the following part of a research. The research consists of semi-structured interviews with a group of people belonging to a specific community. These people were born in the Czech villages in Romania and live nowadays in the Czech Republic. The original sin and its "myth" are still being presented at the level of a myth. His consequences remain in the background of the society and public attention. That is why I decided to deal with this topic. In this way I connect my own interest with this group, which includes a minority of a society with special characteristics. The aim of this thesis is to present the consequences of the original sin on a theoretical level and in terms of research, which I also contribute to with my interviews. And so to answer the research question regarding the influence of minority companies mostly from the standpoint of faith.
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Jewish Artists in the Weimar Republic. Painters at the Schools of Art in Berlin.
Pekárková, Eliška ; Pullmann, Michal (advisor) ; Čapková, Kateřina (referee)
The thesis deals with the forms of Jewish identity using the example of six visual artists at the Art Schools in Berlin during the Weimar Republic. The first chapter briefly describes the development of German Jewish history from the half of the 18th century until the Weimar Republic. The following two chapters focuse on the family background of the artists and on the position of female artists. The next chapter deals with the Art Schools, with their founding, organisation and their possible influence on the artists. The final part focuses on the reflection of Jewishness in the artists' artwork as well as on the particular works of art which are analysed and compared. The aim of this part is to describe the attitudes of the artists to the Jewishness in a broader social context. The primary sources consist of artists works of art, their literary works, memoirs and correspondence. Key words: Jews, Jewishness, the Weimar Republic, Art, Art Schools
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